This is a bundle consisting of Equalizers, Reference 1998 Equalizer and Reference 1956 Equalizer. 

Reference 1956 Equalizer

• Authentically captured, classic passive equalizing
• Minimum phase and extremely musical for broad strokes and big tone
• With added Mid/Side functionality, separate gain controls, and more

The low-end trick is a classic, but it’s not the only trick that has kept this type of passive EQ popular 70 years on. The minimum-phase passive design and extreme musicality make them great for broad strokes and big tones. Cuts and boosts are carried out with resistors, capacitors, and chokes, as opposed to op-amps or transistors. Just pure passive electronics and a beautiful tube amp stage on the output. Our plug-in version is based on modern hardware that adds stereo functionality and more frequency selections while staying true to the nature of the original design. We added Headroom control within our Extended Features panel to exaggerate the thick Low-end character of the transformers, plus built-in Mid Side functionality, and separate gain controls for the two channels.

The Art of Rock & Roll Science

Our reputation for producing tools that improve workflow and offer the highest quality sound is rock solid. For over twenty years, we have forged strong partnerships with premium brands like Tube-Tech, Chandler Limited, and Empirical Labs. This is the legacy the Reference 1956 Equalizer is built on—one of creativity, passion, and attention to detail. To create tools that innovate, you have to have heart, soul, and Rock & Roll Science.

Magical sound, modern features

The passive circuit design of this equalizer makes it exceptionally musical, natural sounding, and some say, magical. We’ve kept the magic intact by maintaining the true nature of the original passive circuit design. Reference 1956 Equalizer gives you the legendary sound, plus modern features like Mid/Side functionality and separate gain controls.

Even more modern with Equalizers

Want the full experience of the Reference 1956 Equalizer plus visualizations of its unique curves, up to 20 bands of modern curves, frequency content, dynamic EQ features, and more? You can load Reference 1956 Equalizer into the second slot of our Equalizers plug-in to create a one-of-a-kind EQ environment. The result is equalizing that’s both corrective and vibey in an ultra-fast workflow. Learn more about Equalizers

Tips! How does Reference 1956 Equalizer compare to Tube-Tech PE 1C?

The Tube-Tech PE 1C (available in our Tube-Tech Equalizers Mk II set, alongside the Tube-Tech ME 1B) is made to sound like a brand-new, perfectly tuned Pultec EQ with everything to spec and very little distortion as a result. Reference 1956 Equalizer is on the opposite side of the spectrum. It’s designed to give more distortion, and some parts are deliberately degraded to deliver that distortion.

In Short:

• Authentically captured, classic passive equalizing
• A modern, musical minimum-phase passive EQ
• Stereo functionality
• Additional frequency selections
• Headroom control
• Mid/Side functionality
• Separate gain controls for each channel
• Compatible with Equalizers
• Console 1 Ready

Reference 1998 Equalizer

• An authentically captured version of a modern classic
• Tube-driven for warmth and saturation across four parallel bands
• Passive circuit design that delivers instant gel and massive amounts of color

The list of gear that can truly be considered modern classics is short. Despite that, we're confident in saying that the inspiration for this plug-in undoubtedly makes the cut. The original design is sophisticated. It features four passive, parallel EQ bands that each impart an unmistakable warmth and subtle saturation that's coupled with a tube stage offering superb headroom. The masterstroke, however, is its shelving filters. The shelving filters go from wide and smooth to a colorful unique shape that instantaneously gels with a mix and gives you color that’s, simply put, massive.

The Art of Rock & Roll Science

Our reputation for producing tools that improve workflow and offer the highest quality sound is rock solid. For over twenty years, we have forged strong partnerships with premium brands like Tube-Tech, Chandler Limited, and Empirical Labs. This is the legacy the Reference 1998 Equalizer is built on—one of creativity, passion, and attention to detail. To create tools that innovate, you have to have heart, soul, and Rock & Roll Science.

A modern classic

This equalizer's original design makes it organic and natural, musical and colorful, warm and sweet, punchy and powerful. It’s a combination that has earned it a place in the canon of pro audio gear. Not one to mess with a good thing; we’ve stuck close to the essence of the original design. Reference 1998 Equalizer gives you the legendary tone shaping capabilities and creative possibilities of the original classic unit for mastering and more.

Emphasis on modern

Want the full experience of the Reference 1998 Equalizer plus visualizations of its unique curves, up to 20 bands of modern curves, frequency content, dynamic EQ features, and more? You can load Reference 1998 Equalizer into the second slot of our Equalizers plug-in to create a one-of-a-kind EQ environment. The result is equalizing that’s both corrective and vibey in an ultra-fast workflow.

Tips! How do Reference 1998 Equalizer & Chandler Limited Curve Bender compare?

Our officially licensed and expertly emulated Chandler Limited Curve Bender plug-in is always transparent and always smooth. That is in stark contrast to Reference1998 Equalizer, which is way more colorful, extreme, and distorted than the Curve Bender. Reference 1998 Equalizer gives you more character, more color, and more creative license.

In Short:

• Authentically captured modern classic tube equalizing
• Four passive, parallel EQ bands for warmth and saturation
• Shelving filters with built-in “low end trick” shelving curves
• Massively colorful and great for broad strokes
• Ideal for mastering and mixing
• Compatible with Equalizers
• Console 1 Ready

Equalizers

• Combine vintage and modern equalizing in one plug-in
• A modern EQ with the power to load Softube vintage EQs
• Modern EQ bands, dynamic bands, fully flexible M/S L/R routing, and more

Colorful and draggable curves, dynamic bands, individual channel control, super-optimized CPU, and every bell and whistle you could wish for... plus something more. Equalizers is a fully loaded modern EQ with a hidden superpower.

Equalizers allows you to load other Softube EQ plug-ins into the Equalizers plug-in to create a one-of-a-kind EQ environment. Load Trident A-Range, Chandler Limited Curve Bender, or another vibe-laden Softube EQ and get the full experience of that plug-in plus take advantage of visualizing the unique curves of vintage EQs, combine them with up to 20 bands of modern curves, view frequency content, use dynamic EQ features, and more. With Equalizers, you get both corrective and vibey equalizing in one plug-in for an ultra-fast workflow.

A faster workflow with modern & vintage combined 

Skip adding another EQ to your signal chain. Equalizers gives you all the benefits of a modern equalizer, plus the ability to load our modeled vintage EQs – Trident A-Range, Abbey Road RS-127, and more. You get modern and vintage, corrective and vibey, all in one elegant plug-in.

Full featured, modern equalizing

Equalizers is a modern EQ with all the features you want. We optimized the CPU and added colorful curves that you can readily move. The plug-in also features dynamic bands and individual channel control (mid, side, left, right).

Detailed control with dynamic bands

Want to easily reduce harsh sibilants or a boomy kick without changing the overall tone of the track? With Equalizers, you can make bell- or shelf-shaped bands dynamic so that the gain level reacts to the incoming audio. 

Fully flexible channel control

Equalizers offers full flexibility when it comes to handling channels. You can set each band to stereo, left, right, mid, or side for individual control of the channels. To effectively create space and balance in your mix with Equalizers, use mid/side equalization in combination with dynamic bands.