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Softube British Class A

Inspired by classic British units

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Description

 

  • Authentic, unmistakable British console character
  • A precisely emulated channel strip with added flexibility
  • Four versions included: British Class A plug-in, British Class A for Console 1, British Class A for Amp Room, and British Class A for Modular
 
Let your tracks soak in the fat transformer crunch of the input stage, get great tone with the honey-sweet equalizer, control dynamics with the beautifully musical compressor, smash them into oblivion with the limiter, and keep things tight and tidy with the smooth gate. British Class A For Console 1 collects the most coveted and distinctive sounding units of the pro audio world in a single channel. Feast on a few details of the different components:
 
Drive 
In the early 70s, recording engineers were quick to figure out that they could use these amazing consoles to add a rich and dense tone to recordings. The trick was to push the transformer-coupled input stage harder than it was really designed for. Still a studio trick used today by the lucky few with a hardware original: get your hands on the British Class A for Console 1 and try it for yourself. The transformers we've modelled here were used in the first and most coveted generation of the original analog input channels, so Drive is guaranteed to give you the most authentic British sound.
 
Equalizer 
To ensure the model's accuracy, the British Class A Equalizer has been based on several different original vintage hardware pieces. While the sound is indistinguishable from the analog originals, the British Class A Equalizer offers even greater flexibility by incorporating dual mid bands instead of a single one. This lets you shape your sounds in creative ways that with the original hardware would have required two daisy-chained equalizers.
 
Compressor 
The British Class A Compressor adds a full-bodied and syrupy tone to the sound source, in addition to its highly musical gain reduction. The model is based on the classic British diode bridge compressor/limiter, which first came out in 1968. But just as with the equalizer, we've added extra flexibility, incorporating a modification used by many top-level studios to improve control of attack times and additional release times.
 
Limiter 
The original compressor unit incorporated both a compressor and a limiter. For maximum usability, we have modelled the two separately and installed them as two distinct plug-ins in British Class A. Use the British Class A Limiter for exceedingly subtle level control or for beating your sounds into submission.
 
Gate 
One of the lesser-known classic British units, the original gate shared the same form factor as the famous equalizer and compressor units modeled in British Class A. It was also a transformer based class A design and does a terrific job of keeping tracks tighter and cleaner. Using the sidechain input makes it very useful for ultra-musical keying purposes.
 
  • Channel emulation for Softube Console 1 with EQ, compressor, limiter, gate, high/low cut filters and input stage drive
  • Inspired by vintage British Class A hardware units
  • Doubled equalizer mid band
  • Additional compressor attack/release times, based on the most famous modification available
  • Perfectly compatible with Console 1

Tech Specs

SYSTEM REQUIREMENTS

  • Mac OS X 10.9 or newer.
  • Windows 64-bit, versions 8 or 10. We have not qualified our plug-ins for Windows 10 Anniversary Edition.
  • Intel Core 2 Duo, AMD Athlon 64 X2 or newer
  • Screen resolution larger than 1280x800
  • 1 GB RAM or more, and at least 6 GB hard disk space for installation (individual plug-ins take less space)
  • Any VST, VST3, AU, or AAX (Pro Tools 10.3.7, 11.0.2 or higher) compatible host application
  • Softube/Gobbler account
  • Gobbler application to manage license activation and plug-in downloads
  • Broadband internet access for downloading installer and registering licenses.
  • All Softube plug-ins support both 32- and 64-bit hosts, although a 64-bit OS is required. Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.

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