{"product_id":"u-he-zebra-3","title":"u-he Zebra 3","description":"\u003cdiv class=\"xch-product__long-description\"\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/drXZP3fcy1w?si=YI62mMnLHszIYeiP\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e \u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eZebra 3 carries the unmistakable Zebra concept forward, rebuilt from scratch with state-of-the-art technologies spanning analogue modelling, physical modelling and purely digital synthesis. A bold mix of popular and novel sound design possibilities meets a fresh user experience. Ready for workhorse tasks as well as remarkably deep and complex exploration.\u003c\/p\u003e\n\u003cp class=\"xch-heading\"\u003e\u003cstrong\u003eGenerator Rack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eZebra 3’s Generator Rack is a modular synthesis playground. Four main Oscillators morph between hand-drawn spline waveforms and can render as classic wavetables with up to 16-voice unison or as additive engines with up to 1024 sine partials. Each Oscillator has two serial FX slots offering 20 processes — from spectral filtering and phase distortion to animated spectral decay. Four FM Oscillators (comprising a modulator and carrier pair) chain freely — each accepts any rack signal as a third operator, so you can build complex FM algorithms without a fixed topology.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eNoise generators, Exciters and Modal Resonators are designed to work together: drive a marimba or bell profile with a shaped noise burst or a patterned pluck excitation, then route the result through one of over 105 filter responses — including some of the finest analogue-modelled filters we have ever made — a Comb in reverb mode, or straight into an FM Oscillator as a modulator.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eDedicated Wavefolder, Ring Modulator and Distortion modules add harmonics anywhere in the signal path.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eVector mixing lets you crossfade or XY-morph between four sources, and almost every parameter across the rack — filter cutoff, fold depth, comb detune, resonator position — is a valid modulation target. The result is a single voice architecture that can go from pristine additive pads to gnarly physical-modelling textures without ever leaving the Grid.\u003c\/p\u003e\n\u003cp class=\"xch-heading\"\u003e\u003cstrong\u003eModulation Rack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eZebra 3 treats modulation as seriously as sound generation. Four ADSR Envelopes offer velocity sensitivity and a One Shot mode, with two Vary parameters adding options like delay, curvature (self-modulation), stretching or key scaling. Four LFOs cover sine, triangle, saw, square, sample-and-hold and smooth random — with tempo sync, phase offset and a delay ramp for gradual onset. Four MSEGs take things further: up to eight morphable curves along a shared timeline with freely positioned loop points, using the same spline editor as the oscillator. Attack, loop and release macros dynamically scale the speed and amplitude.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eBeyond the Rack, on their own page, four dedicated Pitch modules give detailed control over tuning, glide and quantisation, independently managing up to four pitched parts within a single voice. And critically, many modulators double as triggers: an MSEG can drive an Exciter for patterned physical-modelling sequences, bringing rhythmic and melodic structure into the voice itself. In Zebra 3, pitch and gates live on equal footing with regular modulations.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eShaping and combining modulation sources is a particularly interesting area: Four Mappers let you reshape any modulation signal through a custom transfer curve — turning a linear ramp into a logarithmic sweep or a smooth fade into a stepped pattern — and trigger signals can transform a Mapper into a step sequencer. Four Mod Math modules combine, multiply and transform sources before they reach their target, so you can ring-modulate two LFOs against each other or gate randomness with an envelope — all without touching the signal chain.\u003c\/p\u003e\n\u003cp class=\"xch-heading\"\u003e\u003cstrong\u003eEffects Rack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eZebra 3’s FX Grid receives audio from the four voice lanes via four global buses, Main plus three auxiliary sends. The send levels from the voice grid are modulatable per voice, so effects depth becomes part of the polyphonic expression even though the effects themselves are global.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eThe rack is built for impact. ModFX units cover chorus, flanging and phasing with their own internal LFOs, going well beyond typical stage counts — e.g. up to eight-voice chorus and 24-stage phasers with a choice of digital or analogue feel. Delays offer mono, stereo and ping-pong modes with tempo-synced note divisions, feedback filtering, modulation and a Diffusion (smearing) option, available in both analogue-modelled and digital flavours. Two Reverb models — Classic and Lush — offer everything from tight rooms to vast halls, while the TextureVerb effect scatters granular micro-fragments of audio for shimmering, abstract ambiences.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eCompressors placed anywhere in the grid can glue a reverb tail, tame the dynamics after deep modulation effects, or produce sidechain-style pumping entirely within the patch. EQs, Filters, Distortion, Ring Modulator and Wavefolder modules are the same as their namesakes in the Generator Rack, so the tonal options you know from voice-level processing are also available for post-mix shaping. Two stereo mixers, a 4-in-1 mixer with vector and scan function, plus a complex 4-in-4 mixer are also available in the FX section.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"xch-product__features\"\u003e\n\u003cp class=\"xch-heading xch-heading--main xch-product__features\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"xch-features__list\"\u003e\n\u003cli class=\"xch-feature\"\u003eSupport for MPE, microtuning, MTS-ESP (realtime tuning)\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eAdaptive interface: Modules only appear when added to the patch, organised via drag and drop\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eDelays, multitap delay, reverbs, compressors etc. in global FX grid with per voice send amounts\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eAvailable as CLAP, VST3, AU and AAX on macOS, Windows and Linux\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eOver 1,200 factory presets\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eUnified spline editor for oscillator waveforms and MSEG curves with geometric morphing\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eTwo oscillator engines: Wavetable (up to 16× unison) or additive (up to 1024 partials, can be inharmonic)\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003e20 oscillator effects including spectral decay, sync, phase remapping and more\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eFilters with 13 models, both classic and original (Ladder, Cascade, SVF etc) each offering up to 12 responses (e.g. LP, HP, BP with 6\/12\/18\/24 dB\/Oct)\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eFM oscillators with 2 operators plus an audio input as a third operator\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eModal resonators and comb filters with detailed control over feedback and damping for physical modelling synthesis\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eNoise and Exciter modules for realistic transient and physical modelling sources\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eVector \u0026amp; Scan mixers: Blend 4 sources with XY pad (loopable) or scan through them sequentially\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003ePitch, gate and trigger signals as first-class modulation — modular-style routing freedom\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eMod Math modules for combining and transforming modulation signals\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eMappers that act as step sequencers or as freely drawable transfer curves for other modulators\u003c\/li\u003e\n\u003cli class=\"xch-feature\"\u003eRing modulators, distortions, wavefolders, equalizers (as global effects and per voice)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"u-he","offers":[{"title":"Default Title","offer_id":63483072282993,"sku":"UHE-ZEB3-7792","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/zebra3main1.webp?v=1776821748","url":"https:\/\/audiodeluxe.com\/products\/u-he-zebra-3","provider":"AudioDeluxe","version":"1.0","type":"link"}