{"title":"Keys \u0026 Synths","description":"","products":[{"product_id":"acousticsamples-pian","title":"Acousticsamples A-PIAN","description":"The A-Pian Grand piano is and old french Gaveau piano. Gaveau was a French piano manufacturer. The company was established in 1847 in Paris and used to be one of the three largest piano makers in France (after ‰rard and Pleyel).\nThis particular piano was build in 1960 and is reffered to as a \"crapaud\" (\"Petite Grand\" in english), which means that it's a little smaller than a \"quart de queue\" (baby grand).\nIt has a very particular sound, very bright and full of inharmonicity in the bass due to the short lenght of the strings.\nThis library was our first attempt at finding new ways of sampling a piano. We tried to reduce the size and still keeping the most important parts.\n \n\u003cul\u003e\n\u003cli\u003e820Mb uncompressed, 107Mb compressed in lossless flac format, around 232 samples.\u003c\/li\u003e\n\u003cli\u003e3 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e3 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003ePedal down resonance and true pedal action.\u003c\/li\u003e\n\u003cli\u003eKey noises samples.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661558804722,"sku":"ACOU-AP-1041","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/apianscreen3_0.webp?v=1722466906"},{"product_id":"acousticsamples-academicgrand","title":"Acousticsamples AcademicGrand","description":"We have been working in collaboration with Lance Herring on this project.\nThe AcademicGrand is a 1963 Steinway D concert grand which has seen countless recitals and concerts over the years where it served as the University of Arkansas' primary concert instrument. The piano has been an inspiration to hundreds of students and visitors, and with being well-maintained and cared for, it's a wonderful instrument with a unique history and classic American Steinway sound.\n \n\u003cul\u003e\n\u003cli\u003e2.82Gb uncompressed, 1.11Gb compressed in lossless flac format, around 816 samples.\u003c\/li\u003e\n\u003cli\u003e4 Velocity layers for the sustain (4 on pedal up and 4 on pedal down).\u003c\/li\u003e\n\u003cli\u003e4 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003ePedal down resonance.\u003c\/li\u003e\n\u003cli\u003eKey noises samples.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661558870258,"sku":"ACOU-ACA-1042","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/academicgrandscreen1-2_0.webp?v=1722466922"},{"product_id":"acousticsamples-piano-collection","title":"Acousticsamples AS Piano Collection","description":"\u003cdiv\u003eThe AS Piano Collection is a bundle of 5 of our Piano instruments. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eKawai-EX PRO\u003c\/li\u003e\n\u003cli\u003eOldBlackGrand\u003c\/li\u003e\n\u003cli\u003eAcademicGrand\u003c\/li\u003e\n\u003cli\u003eA-Pian\u003c\/li\u003e\n\u003cli\u003eB-Pian\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis bundle gives you all of the piano sounds that you might need, from the big powerful concert grand, to the old jazz sound and the nice training piano that you might have at home.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eKawai-EX Pro\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe Kawai-EX Pro sample Library is a fabulous, powerfull and bright 9-foot (276cm) KAWAI EX concert grand piano that used to be in the Kennedy center in Washington DC. We worked closely with Lance Herring on this library (this is our second attempt after the AcademicGrand) and decided to give our project a new dimension, we carefully recorded this extraordinary instrument with 3 microphone pairs and state of the art Gear to try and recreate how powerfull and precise this instrument can be.\u003cspan style=\"white-space:pre\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eOldBlackGrand\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eEverybody keeps on sampling the best and cleanest piano ever! here is a completely different approach. We sampled an old Pleyel Grand Piano (F-71240 model from 1928) with vintage gear like a studer console and tube microphones, it has the rich and warm sound of the old jazz\/blues or even classical music recordings.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAcademicGrand\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe AcademicGrand is a 1963 Steinway D concert grand which has seen countless recitals and concerts over the years where it served as the University of Arkansas' primary concert instrument. The piano has been an inspiration to hundreds of students and visitors, and with being well-maintained and cared for, it's a wonderful instrument with a unique history and classic American Steinway sound.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eA-Pian\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe A-Pian Grand piano is and old french Gaveau piano. Gaveau was a French piano manufacturer. The company was established in 1847 in Paris and used to be one of the three largest piano makers in France (after ‰rard and Pleyel). This particular piano was build in 1960 and is reffered to as a \"crapaud\" (\"Petite Grand\" in english), which means that it's a little smaller than a \"quart de queue\" (baby grand). It has a very particular sound, very bright and full of inharmonicity in the bass due to the short lenght of the strings. This library was our first attempt at finding new ways of sampling a piano. We tried to reduce the size and still keeping the most important parts.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eB-Pian\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe B-Pian Upright is a bad, old, out of tune, mecanically unperfect but still usable upright piano. After watching a movie (we won't say which one) scene with a guy playing on an old upright and hearing what clearly was a 9 foot grand, we decided that it was time to produce that sound everybody knows, the sound of the piano you played on when you started learning the piano, the one that you were at your friends place and is taking dust and that goes out of tune in two weeks.\u003c\/div\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559001330,"sku":"ACOU-ASPIACOL-1046","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/aspianocollectionscreen-600x401.webp?v=1722553088"},{"product_id":"acousticsamples-b-5-organ","title":"Acousticsamples B-5 Organ V3","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eThe B5 Organ V3\u003c\/strong\u003e\u003cbr\u003eBased on real tonewheel samples and fully modeled: from the tonewheel pickups and the AO-28 amp to the resistive wires, to the drawbars and key contacts... Everything has been carefully measured on different models and adjusted to match real organs.\u003cbr\u003eThe true sound of an organ with the flexibility of synthesis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Hybrid Approach\u003c\/strong\u003e\u003cbr\u003eHammond organs are complex beasts, full of wires and mechanical parts. Until now, the best renditions (short of a real organ) were made using pure synthesis, mainly because the organ works using a set of 91 frequencies that are connected via contactors under each key and whose volume is controlled by the drawbars. Sample based libraries consist of stacking drawbar samples at the same time. This works, but causes a major problem: sometimes you play the same frequency twice and because of phase cancellation, you never get the same sound twice when you press the same keys. We have found a way using the 91 frequencies synthesis approach, but with real samples, which allows you to enjoy the best of both worlds: a real recorded organ tone plus the real mechanical behavior but with the added benefits of functioning drawbar controls and synthesis tweakability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSample based synthesis\u003c\/strong\u003e\u003cbr\u003eThere are things in the Organ sound that can't be faked: tonewheels, keyclicks, vibrato scanner... so we sampled them.\u003cbr\u003e \u003cbr\u003eWe then meticulously reproduced the whole signal chain: tonewheel pickups, resistance wires, AO-28 frequency response, drawbars, swell pedal, percussion circuit, as well as all of the knobs and controls available on a real organ. Even the small wiring and electrical peculiarities have been reproduced like foldback, internal noise, leakage and even more complex ones like tone control, loudness robbing, voltage stealing, etc. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRotary Speaker Simulation\u003c\/strong\u003e\u003cbr\u003eVersion 3 is an entirely new Leslie simulation, much more detailed and true to the 122A recordings.\u003c\/p\u003e\n\u003cp\u003eYou can choose between a few different Leslie models for each rotor: a 122, a 147, a 3300 and a few other variations.\u003c\/p\u003e\n\u003cp\u003eIt is also completely adjustable: microphone positions, angles, distance, and volume, pan, speeds and acceleration times can be modified independantly for each rotor.\u003c\/p\u003e\n\u003cp\u003eWe added three new features: driver distortion, microphone bleed and room simulation and combined with our V3 model, they make for an ultra realistic Leslie sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHundreds of models\u003c\/strong\u003e\u003cbr\u003eAll of the tonewheel organs sound different, each of them has a particular voicing, and that's mostly due to the distance between the tonewhels and pickups but also to the aging of the capacitors.\u003c\/p\u003e\n\u003cp\u003eWith the help of Kon Zissis, who has been servicing and measuring organs for many years, we were able to incorporate 150 unique organ voicings from many different models (A, AV, B, B2, C2, BA, BC , CV, B3, C3, A100, RT3 and a few others).\u003c\/p\u003e\n\u003cp\u003eWe also sampled 4 iconic models (1968 B-3, 1960 C-3, 1969 C-3 and 1965 A-100) whose different tonewheel sounds you can switch between.\u003c\/p\u003e\n\u003cp\u003eThe combination of tweaking of the voicings with manual tapering options allows you to shape virtually any organ model and sound possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX Panel\u003c\/strong\u003e\u003cbr\u003eOn top of our Leslie tube saturation, we added a panel of 7 FX.\u003c\/p\u003e\n\u003cp\u003eIt includes chorus, phaser, delay, overdrive, fuzz, wah (which can also be an auto-wah) and reverb (spring, plate and real room variations).\u003c\/p\u003e\n\u003cp\u003eThese FX are pre-Leslie, except for the reverb, which can be pre or post.\u003c\/p\u003e\n\u003cp\u003eNow you can truly recreate the sound of any organ or song, including progressive rock!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube saturation\u003c\/strong\u003e\u003cbr\u003eThe tube saturation on a Leslie 122 is very different from what you hear from other tube amps.\u003c\/p\u003e\n\u003cp\u003eWe completely redesigned it in version 3 to match real recordings even more accurately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Percussion System\u003c\/strong\u003e\u003cbr\u003eThe percussion on an organ is not just an addition of samples, it is a general volume decay envelope triggered by the first note you play, which is not restarted until you release all the keys.\u003c\/p\u003e\n\u003cp\u003eWe recreated it so meticulously that you can hear a percussion sound when you turn it on or change from second to third! You can even customize the time, volume and frequency to make it sound like \"paradise\".\u003c\/p\u003e\n\u003cp\u003eIt is also completely tweakable: you can edit the volume for the normal and soft settings (as well as decay times), decide on which harmonic is played and even control the recharge time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal Key Contact Modeling\u003c\/strong\u003e\u003cbr\u003eThere are 9 electric contacts under each key, and each of them produces a small click, but they don't all happen at the same time. Also, the intensity and timbre of each click depends on the phase of the tonewheel signal when the circuit is closed.\u003c\/p\u003e\n\u003cp\u003eMr. Hammond hated them, but it wouldn't be a Tonewheel organ without them.\u003c\/p\u003e\n\u003cp\u003eWe completely recreated this for version 3. The progressive 9 contacts are now simulated with velocity, and the variation of timbre and volume is now based on the current phase of the tonegenerators.\u003c\/p\u003e\n\u003cp\u003eYou can also control their overall volume and timbre.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan Modifications\u003c\/strong\u003e\u003cbr\u003eEvery organ player likes to tweak their instrument, so all the modification that organists can do are available.\u003cbr\u003e- Paradise button\u003cbr\u003e- Percussion always on\u003cbr\u003e- Percussion volume decrease\u003cbr\u003e- String Bass\u003cbr\u003e- Foldback removal\u003c\/p\u003e\n\u003cp\u003eAnd many other mods... but without having to solder or unscrew the whole thing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Three Keyboards\u003c\/strong\u003e\u003cbr\u003eOn a real organ there are 3 keyboards, two of which are almost identical except for the Percussion system, plus the Bass pedals. \u003c\/p\u003e\n\u003cp\u003eYou can choose to use 3 different MIDI channels, one for each keyboar,d or you can use Split to have all three on one keyboard.\u003c\/p\u003e\n\u003cp\u003eIn version 3, we decided to extend the capabilities of the Bass pedal manual.\u003c\/p\u003e\n\u003cp\u003eOn a real organ, the Bass pedals drawbars are a fixed combination of 8 frequencies, but in the V3, we give you access to that mix and the first 12 tonewheels that produce complex tones can also be filtered out to be closer to a sine wave.\u003c\/p\u003e\n\u003cp\u003eWe also extended the range of the Bass manual to 32 notes to match the RT3 model.\u003c\/p\u003e\n\u003cp\u003eIf you don't have pedals on your controller, you can also remove the bass foldback for the Upper and Lower manuals to access deep bass without them.\u003c\/p\u003e\n\u003cp\u003eYou can also enable the stringbass mod with control over the sustain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003cbr\u003eIn the version 3, we completely reworked the preset system.\u003c\/p\u003e\n\u003cp\u003eThey are now global and will save everthing, but you still have access to around 200 drawbar presets that you can load, save, delete or assign to the preset keys (upper and lower), and these include the most used Jazz, Gospel and classical presets.\u003c\/p\u003e\n\u003cp\u003eThe preset keys (Bleck Keys to the left of the range) can also be customised and will allow you to easily change drawbar settings while playing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI assignment and controllers\u003c\/strong\u003e\u003cbr\u003eEvery element of the interface can be assigned to any MIDI CC and Channel easily using our assignment panel or our MIDI Learn function.\u003cbr\u003e \u003cbr\u003eTo make things even easier, we included a few mapping presets for the most common organ clone controllers, this includes, the XK series, all Nord keyboards, the Crumar, the HX3, the B4D and some others.\u003c\/p\u003e\n\u003cp\u003eWe even included most tweaks required by some controllers like the inversion of the drawbar movement or the toggle for the leslie speed.\u003c\/p\u003e\n\u003cp\u003eThe volume pedal is a crucial element when playing the organ and you have the possibility to adjust the curve and range of the volume and filter affected by the pedal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559361778,"sku":"ACOU-B5ORGV3-1047","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/b5organv3screen-600x401.webp?v=1722467009"},{"product_id":"acousticsamples-b-pian","title":"Acousticsamples B-PIAN","description":"The B-Pian Upright is a bad, old, out of tune, mecanically unperfect but still usable upright piano. After watching a movie (we won't say which one) scene with a guy playing on an old upright and hearing what clearly was a 9 foot grand, we decided that it was time to produce that sound everybody knows, the sound of the piano you played on when you started learning the piano, the one that you were at your friends place and is taking dust and that goes out of tune in two weeks.\n \n\u003cul\u003e\n\u003cli\u003e502Mb uncompressed, 231Mb compressed in lossless flac format, around 166 samples.\u003c\/li\u003e\n\u003cli\u003e3 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e3 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003ePedal down resonance and true pedal action.\u003c\/li\u003e\n\u003cli\u003eKey noises samples.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559558386,"sku":"ACOU-BP-1048","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/bpianscreen1-2_0.webp?v=1722467025"},{"product_id":"acousticsamples-balani","title":"Acousticsamples Balani","description":"Balani is a 2 1\/2 octave balafon (or balaphon) with small calabash resonators form Guinea. We decided that this no so rare instrument was worth a sample library especially because it has those \"noise generators\" in good condition. Most of the time, people remove those because they don't like that noisy effect, but if you listen carefully to some traditional Balafon, you will hear them and we wanted it to be in our library.\nThe other interesting point about Balafons is the scale that usually is very different from the european ones. It originally plays a B major scale (20 notes) so we extended it (to 33 notes) for this library and also gave the posibility to fine tune it.\n \n\u003cul\u003e\n\u003cli\u003e230Mb uncompressed, 125Mb compressed in lossless flac format, around 967 samples.\u003c\/li\u003e\n\u003cli\u003e12 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e4 takes per note to avoid the machine gun effect (round robins).\u003c\/li\u003e\n\u003cli\u003eabout 13 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003eBoth original and corrected tunings are available for a traditional or contemporary sound.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559591154,"sku":"ACOU-BAL-1049","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/balaniscreen1-2_0.webp?v=1722467041"},{"product_id":"acousticsamples-c7-grand","title":"Acousticsamples C7 Grand","description":"The C7Grand library is based on a Yamaha C7 Grand piano. The C7 is the biggest of the C series (227cm \/ 7'6\") and is one of the most used pianos as it is present on many concert stages, studios and prestigious music events.\n \nWe wanted to capture its delicate, bright and precise sound that you hear everywhere, so we used every technology and piano simulation tools that we worked on over the years and here it is, the C7 Grand with all of the features you can think of, multiple microphones (3 different stereo perspectives), half pedal, repedal, sympathetic resonances and many other that we will detail below.\nIt is also very customizable as we know that not everybody has the same digital piano or has the same taste, you can change every aspect of it, the overall sound, the tuning (even complex microtuning are possible) or the MIDI response.\n \nThe C7 Grand is using the popular flac lossless compression format (UVI Workstation 2.5.2 is required to use it) to increase the streaming performances and loading time without losing any audio quality. You also save space, the library goes from 14Gb uncompressed to 2.41Gb.\n \n\u003cul\u003e\n\u003cli\u003e15Gb uncompressed, 2,41Gb compressed in lossless flac format, around 4800 samples.\u003c\/li\u003e\n\u003cli\u003e3 microphone positions that you can load, enable and mix.\u003c\/li\u003e\n\u003cli\u003eRealistic staccatos.\u003c\/li\u003e\n\u003cli\u003eSympathetic resonances.\u003c\/li\u003e\n\u003cli\u003eRepedal effect.\u003c\/li\u003e\n\u003cli\u003eSostenuto behavior.\u003c\/li\u003e\n\u003cli\u003eHalf pedal.\u003c\/li\u003e\n\u003cli\u003eLarge choice of high quality IR based reverbs.\u003c\/li\u003e\n\u003cli\u003eAdvanced tuning (each note can be tuned individually and microtunings can be applied).\u003c\/li\u003e\n\u003cli\u003eTrue pedal action (real bahavior of the pedal down resonances).\u003c\/li\u003e\n\u003cli\u003eComplete control over the MIDI response of the library.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003cli\u003eand more...\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559754994,"sku":"ACOU-C7GRA-1054","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/c7grandscreen1-2_0.webp?v=1722467066"},{"product_id":"acousticsamples-clavi-d9","title":"Acousticsamples Clavi D9","description":"The Clavi D9 is based on the well known clavinet D6 by hohner.\nIt is probably one of the most \"funky\" instruments ever invented, despite the fact that it was originally intended for classical music as its sound is close to the hapsichord. It turns out that it was very well suited to replace or double a rhythmic guitar and was used in many Funk and Disco hits.\nThe clavinet has 5 octaves (60 keys) and works in a simple way, when you press a note, the string is pressed against a bridge just like a hammer-on on a guitar, the non muted part of the string vibrates and the pickups amplify the sound.\n \nThe D6 has very few controls, 4 eq switches and 2 pickup switches to choose which pickup has to be used plus a global volume.\nWe recorded both pickups  and we modeled precisely the eqs, as a result you can use the whites switches exactly like on the real instrument.\nWe sampled every possible aspect of the instrument, normal notes, staccatos, releases, mutes, every pickup, sympathetic resonances and more to give you the most authentic Clavinet sound possible.\n \n\u003cul\u003e\n\u003cli\u003e2,76Gb uncompressed, 553Mb compressed in lossless flac format, around 4500 samples.\u003c\/li\u003e\n\u003cli\u003eRealistic staccatos.\u003c\/li\u003e\n\u003cli\u003ePrecise simulation of the original filters.\u003c\/li\u003e\n\u003cli\u003eSeparation of both pickups and independant volume.\u003c\/li\u003e\n\u003cli\u003eSympathetic Resonances.\u003c\/li\u003e\n\u003cli\u003eHigh quality Amp simulations with the most used models.\u003c\/li\u003e\n\u003cli\u003eReal Wah effect with different pedal models.\u003c\/li\u003e\n\u003cli\u003eComplete FX selection with Phaser, Flanger, Tremolo, Chorus, Distortion and Spring Reverb.\u003c\/li\u003e\n\u003cli\u003eReal mute samples.\u003c\/li\u003e\n\u003cli\u003eControl over the MIDI response of the library.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003cli\u003eand more...\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559787762,"sku":"ACOU-CLAD9-1055","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/claviscreen1-2_0.webp?v=1722467083"},{"product_id":"acousticsamples-e-pian","title":"Acousticsamples E-PIAN","description":"The E-Pian is a Classic 73 Keys Electric piano from 1972 recorded with the direct output plugged into a tube preamp.\nThe tines were adjusted in a way that very few overtone was present giving this piano more warmness. This particular instrument was in a \"normal\" condition, which means that it was not properly restored, a few keys were not sounding right (and we sampled it before and after fixing those keys).\nThis might be the rhodes you will find on stage, five minutes before the beginning of your concert!\n \n\u003cul\u003e\n\u003cli\u003e2.58Gb uncompressed, 389Mb compressed in lossless flac format, around 3465 samples.\u003c\/li\u003e\n\u003cli\u003e13 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003eup to 26 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eEQ.\u003c\/li\u003e\n\u003cli\u003eTremolo simulation.\u003c\/li\u003e\n\u003cli\u003eAmp simulation.\u003c\/li\u003e\n\u003cli\u003eSpring Reverb.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661559918834,"sku":"ACOU-EP-1058","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/epianscreen1-2_1.webp?v=1722467108"},{"product_id":"acousticsamples-kawai-ex-pro","title":"Acousticsamples KAWAI-EX-PRO","description":"The Kawai-EX Pro sample Library is a fabulous, powerfull and bright 9-foot (276cm) KAWAI EX concert grand piano that used to be in the Kennedy center in Washington DC.\nWe worked closely with Lance Herring on this library (this is our second attempt after the AcademicGrand) and decided to give our project a new dimension, we carefully recorded this extraordinary instrument with 3 microphone pairs and state of the art Gear to try and recreate how powerfull and precise this instrument can be.\n \n\u003cul\u003e\n\u003cli\u003e10.9Gb uncompressed, 2.15Gb compressed in lossless flac format, around 5000 samples.\u003c\/li\u003e\n\u003cli\u003e3 microphone positions that you can mix from the interface.\u003c\/li\u003e\n\u003cli\u003e5 Velocity layers for the sustain (5 on pedal up and 5 on pedal down).\u003c\/li\u003e\n\u003cli\u003e3 sets of 5 Velocities for the release, one for different sustain lenght (staccato).\u003c\/li\u003e\n\u003cli\u003ePedal down resonance.\u003c\/li\u003e\n\u003cli\u003eKey noises samples.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661560082674,"sku":"ACOU-KAW-1063","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/kawaiscreen3-2_0.webp?v=1722467160"},{"product_id":"acousticsamples-mark79","title":"Acousticsamples Mark79","description":"The Mark79 is a Classic 73 Keys Electric piano from 1979 (MarkII) recorded with the direct output plugged into a tube preamp.\n \nThe MarkII model was issued in 1979 and maor jazz and jazz-rock stars like Chick Corea have made its sound very famous. It really is very different from the MarkI but still has that incredible sound that everybody knows and loves.\nWe wanted to give this instrument something special and to build the library in a way that any player would get a feeling of the real thing so we decided to also sample it \"acoustic\" meaning without pluging it into an amp.\n \n\u003cul\u003e\n\u003cli\u003e3.45Gb uncompressed, 1.46Gb compressed in lossless flac format, around 2532 samples.\u003c\/li\u003e\n\u003cli\u003e10 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e10 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003eTime based release samples for accurate staccato sound.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eIndependant mix of the acoustic\/electric sound.\u003c\/li\u003e\n\u003cli\u003eEQ.\u003c\/li\u003e\n\u003cli\u003eAutopan simulation.\u003c\/li\u003e\n\u003cli\u003eTremolo simulation.\u003c\/li\u003e\n\u003cli\u003eSaturation effect.\u003c\/li\u003e\n\u003cli\u003eAmp simulation.\u003c\/li\u003e\n\u003cli\u003eSpring Reverb.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerful interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661560148210,"sku":"ACOU-MAR-1065","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/mark79screen1-3_0.webp?v=1722467168"},{"product_id":"acousticsamples-oldblackgrand","title":"Acousticsamples OldBlackGrand","description":"Everybody keeps on sampling the best and cleanest piano ever! here is a completely different approach. We sampled an old Pleyel Grand Piano (F-71240 model from 1928) with vintage gear like a studer console and tube microphones, it has the rich and warm sound of the old jazz\/blues or even classical music recordings.\n \nThe demo songs are performed by Jean-Michel Bernard (former composer for Ray Charles, film music composer) and Romain Collin, a very talented jazz French piano player based in NYC.\n \n\u003cul\u003e\n\u003cli\u003e12.89Gb uncompressed, 2Gb compressed in lossless flac format, around 3000 samples.\u003c\/li\u003e\n\u003cli\u003e2 microphone positions that you can mix from the interface (close and rim).\u003c\/li\u003e\n\u003cli\u003e9 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e9 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003ePedal down resonance and true pedal action.\u003c\/li\u003e\n\u003cli\u003eKey noises samples.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eSostenuto (middle pedal).\u003c\/li\u003e\n\u003cli\u003eAdvanced midi controls.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661560180978,"sku":"ACOU-OLD-1066","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/obgscreen3-2_0.webp?v=1722467172"},{"product_id":"acousticsamples-petit-piano","title":"Acousticsamples Petit Piano","description":"Petit Piano is a small 50 keys children piano.\nThis piano is manufactured by a french piano manufacturer called \"Klein\" and this is the only \"Childrens\" piano of this size. It features a real wooden keyboard and a 2 string system which makes it sound close to a full sized upright piano and not like a toy.\n \nIt is a small piano, but we still wanted to make it as realistic as possible, so we added our top piano features like sympathetic resonances, true pedal action, or really accurate release samples to get great sounding staccatos.\nWe recorded 6 velocity layers as well as key noises, resonances, release samples, pedal noises, etc... and you can control every bit of it using the interface.\n \n\u003cul\u003e\n\u003cli\u003e1.29Gb uncompressed, 247Mb compressed in lossless flac format, around 859 samples.\u003c\/li\u003e\n\u003cli\u003e6 Velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e6 Velocities for the release.\u003c\/li\u003e\n\u003cli\u003ePedal and key noises.\u003c\/li\u003e\n\u003cli\u003ePedal down resonances.\u003c\/li\u003e\n\u003cli\u003eSympathetic resonances.\u003c\/li\u003e\n\u003cli\u003eTrue pedal action.\u003c\/li\u003e\n\u003cli\u003eAccess to impulse response list.\u003c\/li\u003e\n\u003cli\u003eTone control.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661560246514,"sku":"ACOU-PETPIA-1068","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/petitpianoscreen_0.webp?v=1722467181"},{"product_id":"acousticsamples-super-ii","title":"Acousticsamples Super II","description":"The Super II is based on a 1965 VOX super continental dual manual organ. Many variations of this keyboard were created, single manuals, dual manuals, with and without the percussions switches. The one we used is a rare one that is a dual manual and an extra output for a pedal keyboard and has the percussion switches.\n \nThe VOX continental has been used a lot in the 1960's rock bands such as the beatles, the doors, and the animals.\n \nWe sampled every drawbar of each of the 3 keyboards separately that you can control from the interface and explore every available tone of the Super II plus we sampled it with and without the vibrato effect. The pedal keyboard also has a sustain feature as well as a legato up function that we recreated to mimic the behaviour of the original instrument.\n \nWe also added a complete chain of effects, a spring reverb, a saturation and a cabinet simulation with 20 different cabinets and microphones combinations plus a rotary speaker.\n \n\u003cb\u003eKeyboards and Drawbars\u003c\/b\u003e\nEach drawbar has been carefully sampled for each of the 3 keyboards (Bass, Lower and Upper). We also sampled the rare 4 switches percussions system for the upper keyboard and even added a volume.\n \nYou can completely shape the sound of the instrument, from a soft and mellow sound to the hard sound of the 60's rock.  \n \n\u003cb\u003eFX section\u003c\/b\u003e\nA combo organ is never played without an amp, so we added an amp simulation as well as 25 cabinet \/ microphones combinations, a rotary speaker effect and also a spring reverb and a distortion effect.\n \nWe also sampled the real vibrato and you can activate it for all 3 keyboards.\n \n\u003cb\u003eBass simulation\u003c\/b\u003e\nThe super continental model has 2 keyboards and an optional plug for a pedal keyboard, but you can also shape its sound with the two drawbars and with the 8' \/ 16' switch.\n \nOne of the special features of these pedal boards is a 'sustain\" effect that has leaves the notes ringing for some time after you release it, but can be stolen by another note using a legato up effect.\n \n\u003cb\u003ePresets\u003c\/b\u003e\nWith all these drawbars, you need presets, we added the original ones that came with the manual.\n \nAnd yes, you can save yours, share them and re-open them, and that for each keyboard. There is also a B3 organ style preset recall system with the notes next to the FX panel.\n \n\u003cb\u003eMIDI separation\u003c\/b\u003e\n3 keyboards is great and it's even better if you have 3 different real keyboards, you can split your keyboard as you want or select a MIDI channel for each one.\n \n\u003cul\u003e\n\u003cli\u003e520Mb uncompressed, 250Mb compressed in lossless flac format, around 3500 samples.\u003c\/li\u003e\n\u003cli\u003e3 keyboards, Bass, Lower and Upper with individual drawbars that you can mix from the interface.\u003c\/li\u003e\n\u003cli\u003eMany presets that you can save, load and share plus the default ones included with the original VOX manual.\u003c\/li\u003e\n\u003cli\u003eAccurate pedal keyboard behaviour simulation (sustain and 8\/16).\u003c\/li\u003e\n\u003cli\u003eSpring reverb and saturation effect.\u003c\/li\u003e\n\u003cli\u003eAmp simulation with around 20 different cabinet and microphones combinations.\u003c\/li\u003e\n\u003cli\u003eMIDI channel or zone based separation to access all 3 keyboards\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661561819378,"sku":"ACOU-SUPII-1073","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/super2screen1-720x480_0.webp?v=1722467258"},{"product_id":"acousticsamples-vibysm","title":"Acousticsamples VibysM","description":"The VibysM is a 3 1\/2 octaves Musser concert vibraphone. This is one of the best vibraphone models ever made.\nIt was played with soft mallets during the recording session to capture the maximum of dynamics and the softness of this instrument. The Vibraphone was very popular in the Jazz music of the 50's but somehow got used a lot less since then.\nToday it is used more and more in popular music as well as modern jazz and even electronic music.\n \n\u003cul\u003e\n\u003cli\u003e913Mb uncompressed, 423Mb compressed in lossless flac format, around 411 samples.\u003c\/li\u003e\n\u003cli\u003eRecorded with in ORTF configuration for a full stereo image.\u003c\/li\u003e\n\u003cli\u003e9 velocity layers for the sustain.\u003c\/li\u003e\n\u003cli\u003e3 velocity layers for the releases.\u003c\/li\u003e\n\u003cli\u003eSustain pedal noises (up and down), triggered automatically.\u003c\/li\u003e\n\u003cli\u003eTremolo (Motor) simulation with conytrol over depth and speed.\u003c\/li\u003e\n\u003cli\u003eAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44665575506162,"sku":"ACOU-VIB-1083","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/vibysmscreen1-2_0.webp?v=1722467375"},{"product_id":"acousticsamples-vreeds","title":"Acousticsamples VReeds","description":"\u003cp\u003e\u003cstrong\u003eSAMPLING MEETS MODELING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJust like for the VTines and the B-5 Organ, we combined synthesis techniques and sampling to achieve a high level of playability and tweaking while maintaining a realistic sound.\u003c\/p\u003e\n\u003cp\u003eThis allows the VReeds to weight only 70Mb and to really sound like a Wurlitzer© Electric Piano with all of its imperfections while having a fully continuous response (if you're not convinced, listen to the 127 velocity example in our video) as well as a highly tweakable sound.\u003c\/p\u003e\n\u003cp\u003eThere are a few Wurlitzer Electric Pianos, but the most famous ones are the 200 and the 200A. There are subtle differences between the two models mainly due to the thickness of the Reeds and the amplifier circuit. Instead of choosing one, we decided to sample the two models and offer you the choice from the interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePure Wurlitzer© sound, uncompromised playability\u003c\/strong\u003e\u003cbr\u003eVReeds is based on real samples of two Wurlitzer models, a 200 and a 200A. They were both fully restored with original and well adjusted Reeds, and had a precise action that allowed for a perfect sampling while keeping all of the vintage Wurlitzer sound characteristics.\u003c\/p\u003e\n\u003cp\u003eOur modeling method gives you access to a 100% continuous response, a very small sized library (70Mb for both models) and a very high tweakability.\u003c\/p\u003e\n\u003cp\u003eIt also ensures that the staccatos and releases that make up for half of the realism sound perfect, not like a fadeout, not too loud, just perfect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibrato FX - EQ\u003c\/strong\u003e\u003cbr\u003eThe Wurlitzer sound is most of the time associated with the vibrato. \u003c\/p\u003e\n\u003cp\u003eWe carefully reproduced the shape of the original vibrato circuit. On the original 200, the vibrato rate is fixed, but just like the very common mod, we decided to extend the vibrato capabilities and add a rate control which can be linked to the tempo. \u003c\/p\u003e\n\u003cp\u003eThere is no EQ on the Wurlitzers, but it can be useful to just have one accessible quickly on the front interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeakers\u003c\/strong\u003e\u003cbr\u003eWurlitzers© can be recorded through the direct output, but also using its built in speakers.\u003c\/p\u003e\n\u003cp\u003eOn the 200 and 200A models, there are two small Speakers on each side of the front plate, on the 206 and 206A (beige models), there is a bigger speaker cabinet below the keyboard.\u003c\/p\u003e\n\u003cp\u003eWe captured both of these options and in both mono or stereo and we allow for a mix with the DI signal so that the VReeds fits perfectly in your mix.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX Pedalboard\u003c\/strong\u003e\u003cbr\u003eWurlitzer© pianos are often used with FX, so we created an FX panel with the most common ones, each of them is one of the very efficient and high quality FXs made by UVI.\u003c\/p\u003e\n\u003cp\u003eEach FX can be tweaked in real time.\u003c\/p\u003e","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44665575538930,"sku":"ACOU-VRE-1084","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/image_7.webp?v=1722467380"},{"product_id":"acousticsamples-vtines-mki","title":"Acousticsamples VTines MKI","description":"\u003cp\u003eWe have always had the idea that the future of virtual instruments was going to be the sound quality of sampling but with the playability of modeling. Getting both with only samples requires too many of them and only with modeling requires too much CPU.\u003c\/p\u003e\n\u003cp\u003eWe found a way to combine both technologies by using samples as the sound source and all the rest uses modeling techniques. This allows the V Tines to weight only 80Mb (retina graphics and presets included), to really sound like a Fender Rhodes© with all of its imperfections and to have a fully continuous response (if you're not convinced, listen to the 127 velocity example in our video) as well as a highly tweakable sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePure Rhodes© sound, uncompromised playability\u003c\/strong\u003e\u003cbr\u003eOur model is based on real samples of a 1978 Fender Rhodes© Mark1 fully restored with clean pickups and tines, new grommets, new hammer tips, etc, so it is the best an electric piano can sound.\u003c\/p\u003e\n\u003cp\u003eOur model gives you access to a 100% continuous response, a very small sized library (80Mb) and a very high tweakability.\u003c\/p\u003e\n\u003cp\u003eIt also ensures that the staccatos and releases that make up for half of the realism sound perfect, not like a fadeout, not too loud, just perfect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibrato and front FX\u003c\/strong\u003e\u003cbr\u003eWe carefully measured the output of the preamp of a Rhodes© suitcase and created an exact replica of the stereo panning of the Vibrato. We just added the possibility to sync it to your tempo and also extended the speed range just like some real mods do.\u003c\/p\u003e\n\u003cp\u003eThe Bass and treble EQ are precisely adjusted to the frequencies and ranges of the original preamp.\u003c\/p\u003e\n\u003cp\u003ePre 1969 Rhodes© only had a mono tremolo, so we added that option and you can get that old school vibrato effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuitcase AMP\u003c\/strong\u003e\u003cbr\u003eRhodes© are often recorded through the direct output, but the suitcase models have a stereo amp that has a very recognizable sound with two 12' speakers facing the front and two facing the back and each side.\u003c\/p\u003e\n\u003cp\u003eWe captured different microphone positions and distances to cover most of the real life recording placements.\u003c\/p\u003e\n\u003cp\u003eOur AMP simulation is true stereo, meaning that we have a very precise stereo image which is extremely useful when the Vibrato is on.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX Pedalboard\u003c\/strong\u003e\u003cbr\u003eRhodes© pianos are often used with FX, so we created an FX panel with the most common ones, each of them is one of the very efficient and high quality FXs made by UVI.\u003c\/p\u003e\n\u003cp\u003eEach FX can be tweaked in real time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrecise adjustments\u003c\/strong\u003e\u003cbr\u003eModeling also means customization, you can alter the sound of the V Tines like you would on a real electric piano and in a very easy way.\u003c\/p\u003e\n\u003cp\u003eA real electric piano can be customized with a screwdriver, you basically adjust the angle and distance between the tine and the pickup. 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The result is the best of both worlds \" a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1200+ Built-In Sounds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you're prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you're looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Definition Oscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Filtering and Saturation Modes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the \"70s and \"80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.\u003c\/p\u003e\n\u003cp\u003eUse the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.\u003c\/p\u003e\n\u003cp\u003eTo add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, \"drift,\" and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.\u003c\/p\u003e\n\u003cp\u003ePump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvelope Editors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse the four envelope editors to easily sculpt the filter, amplitude, and any two other modulation envelopes. 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Turn up the Doubling knobs to full for a dramatic response or mix it in subtly for a slight thickening effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance-Oriented Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you use it in the studio or in a live situation, Hybrid 3.0 is built to perform. Use the step sequencers for arpeggiation or phrase generation. Set the modulation matrix to easily map modulations from sources to destinations. And set up \"morph\" groups to modify sounds on the fly, from the interface or a MIDI controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStep Sequencers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHybrid 3.0's onboard 16-step sequencers have been revamped for more programming and sequencing flexibility. Now, steps can be linked together to vary sequencer rhythm, manipulate note dynamics, and create advanced modulation patterns. Like before, both step sequencers can function as a composition tool or an extra modulation source, making it easy to create patches that move and evolve. You can set note values, velocity, and modulation, and then pick from nine playback options to use the sequencer as a step sequence, arpeggiator, or MIDI phrase generator. Plus, you can even import your own MIDI phrases for complete customization.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModulation Matrices\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHybrid 3.0 also offers flexible and easy-to-use modulation matrices with 16 assignable modulation sources and more than 20 destinations each. Assign modulations to an oscillator or filter. 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A separate master effects section lets you select reverb, delay, and chorus effects to enhance \" or warp \" any of the sounds at the patch level. Easily adjust effect parameters and sync effects to a chosen tempo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeamless DAW Integration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHybrid 3.0 is available in VST and AAX plugin formats for both 32- and 64-bit operating systems and in AU for 64-bit operating systems. 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Hype's' powerful Macro Editing features allow you to tweak your perfect sound on the fly.\u003c\/p\u003e\n\u003cp\u003eToday's modern music production and beat making demand innovative instruments that enable creativity, and Hype will exceed your expectations on all fronts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003cbr\u003ePowerful Hybrid Engine:\u003c\/strong\u003e\u003cbr\u003eFour sound engines power AIR Hype; FM, Wavetable, Virtual Analog and Sampled, created from decades of research and meticulous design. While they are great individually, they come together to create huge, expressive sounds, filling your studio with massive, multi-dimensional sonic textures.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePacked with Presets:\u003c\/strong\u003e\u003cbr\u003eDive right into the vast library of sounds and immerse yourself in an ocean of sonic bliss. With over 1500 presets carefully categorized for easy browsing, you will find page after page of instruments that will quickly inspire your next production idea. With six dedicated Macro controls and 8 Editing dials, tweak and shape your sounds specifically for your project and save your customizations for quick access later.\u003c\/p\u003e\n\u003cp\u003eThese breath-taking sounds will quickly spark any producer's creativity and make music production a fluid, uninhibited process. Create music and craft your unique sonics seamlessly with a world-class synthesizer plugin.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAward-winning Effects By Air Technology:\u003c\/strong\u003e\u003cbr\u003eAIR Hype has world-class audio effects processing built-in to enhance your sounds as you create quickly. Choose from Modulation, Distortion, Hype (EQ), Reverb, Delay, Compressor, Pumper and Limiter, each with a dedicated section to dial-in any adjustments. The Effects panel is intuitively displayed on every page of AIR Hype to conveniently enable or bypass each of the eight effects at any time.\u003c\/p\u003e\n\u003cp\u003eHype EQ provides a quick way of enhancing the low- or high- end of any patch. Beef up wobbles, basses, and kick-drum sounds with deep sub- bass by adjusting the Low Hype parameter, or turn up Hype High to polish off the high end with shimmer and sparkle; the latter sounds great on pads, strings, brass, and percussive sounds.\u003c\/p\u003e\n\u003cp\u003eThe AIR Creative FX collection has been included as part of Pro Tools® since Version 8 and is considered the reference FX suite by some of the world's most respected audio professionals. AIR FX has been featured in many of the last decade's top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesktop App:\u003c\/strong\u003e\u003cbr\u003eIncluded with your Plugin purchase is our Desktop Player application. Fire up the Desktop Version of Hype and connect your favourite Midi Controller either by USB or Bluetooth, and you are ready to perform live. 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Developed by AIR Music Technology, the team responsible for creating the award-winning virtual instruments and core effects offered with Avid's Pro Tools software, the AIR Instrument Expansion Pack brings the world's most innovative virtual instruments to your favorite DAW. These twenty instruments, ranging from breathtaking emulations of vintage gear, classic instruments and unique synthesis technologies, enable you to tap into familiar sounds or create something no one has ever heard before. With the AIEP3 Complete collection, if you can dream it, you can create it. There are no limits! Energize your music.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIncludes:\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid 3.0 \" High-Definition Analog \u0026amp; Wavetable Synth\u003c\/li\u003e\n\u003cli\u003eLoom \" Modular Additive Synthesizer\u003c\/li\u003e\n\u003cli\u003eVacuum Pro \" Polyphonic Analog Tube Synthesizer\u003c\/li\u003e\n\u003cli\u003eStructure \" Multi-Timbral Sampler Instrument\u003c\/li\u003e\n\u003cli\u003eStrike \" Ultimate Virtual Drummer Instrument\u003c\/li\u003e\n\u003cli\u003eVelvet \" Vintage Electric Piano Instrument\u003c\/li\u003e\n\u003cli\u003eTransfuser \" Melodic \u0026amp; Rhythmic Groove-Creation Instrument\u003c\/li\u003e\n\u003cli\u003eTHE RISER \" Synth-based Transition Designer\u003c\/li\u003e\n\u003cli\u003eDB-33 \" Tonewheel Organ Simulator\u003c\/li\u003e\n\u003cli\u003eMINI GRAND \" Acoustic Grand Piano\u003c\/li\u003e\n\u003cli\u003eFresh AIR Expansion \" Presets for Vacuum Pro\u003c\/li\u003e\n\u003cli\u003eFlux Transitions Expansion \" Presets for theRiser\u003c\/li\u003e\n\u003cli\u003eAIR Creative FX Collection PLUS \" 28 Classic Audio FX\u003c\/li\u003e\n\u003cli\u003eXPAND!2 \" MULTITIMBRAL ALL\"IN\"ONE WORKSTATION\u003c\/li\u003e\n\u003cli\u003eD. 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Hybrid 3.0 is an analog and wavetable synthesizer that combines the warmth of analog synthesis with futuristic digital controls; Loom is a modular additive synthesizer that lets you explore additive synthesis with 30 editable modules and a sound-shifting Morph Pad; Vacuum Pro is a polyphonic analog tube synthesizer that re-invents the gritty glory of the analog age; Structure delivers a world of sounds with multi-timbral layering and comprehensive sample editing; Strike is a drum and arranger instrument with a realistic performance engine; Velvet puts five sought-after electric pianos at your fingertips; and Transfuser is a melodic and groove creation that offers powerful sound manipulation capabilities. Altogether, the AIR instrument Expansion Pack includes 70+GB (uncompressed) samples, loops, effects, and 3000+ tweakable patches and presets programmed by legendary sound designers.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eLoom\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eA modular additive synthesizer, comes packed with 30 editable modules and a sound-shifting Morph Pad. The intuitive Loom architecture enables you to quickly combine any of the 30 editable modules into 10 available cells to create unique and captivating sounds. The Morph Pad shifts your patch between user-defined variations to add richness, dynamics, and motion to your sounds.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eVacuum Pro\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eA polyphonic analog synthesizer with vacuum tube circuit modeling that perfectly captures the crunchy, warm sound of the analog era. With four analog oscillators, six vacuum tube circuits, multiple filters and envelopes, and built-in audio effects, Vacuum Pro lets you dive deep into subtractive synthesis to recreate those sought-after analog sounds from the 70s and 80s.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eHybrid 3.0\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eA high-definition analog and wavetable synthesizer, combines the legendary warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is a versatile virtual instrument that can sound like a synth you remember or something no one has ever heard before.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eVelvet\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eModeled off of five legendary electronic pianos, Velvet is a versatile instrument that features highly realistic emulations of the Fender Rhodes Suitcase, Fender Rhodes MK I and MK II Stage Pianos, Wurlitzer 200A and Hohner Pianet-T. With Velvet, you can tap into the vintage sound and response of these classic instruments.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eStructure\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eA multi-timbral sampler instrument that brings a world of sounds to your music. A massive 37GB premium sound library from AIR Music Tech includes acoustic and electronic drums, hand and pitched percussion, pianos and keyboards, choral sounds, guitars, basses, synth pads, synth leads, surround sounds, and atmospheres.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eStrike\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eA virtual drum instrument and arranger, Strike combines a world-class library of drum samples with a hyper-realistic performance engine. 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Ramirez Expansion \" Presets for Hybrid 3\u003c\/li\u003e\n\u003cli\u003eMarco Lys Expansion \" Presets for Hybrid 3\u003c\/li\u003e\n\u003cli\u003eMark Knight Expansion \" Presets for Hybrid 3\u003c\/li\u003e\n\u003cli\u003eRene Amesz Expansion \" Presets for Hybrid 3\u003c\/li\u003e\n\u003cli\u003eTocadisco Expansion \" Presets for Hybrid 3\u003c\/li\u003e\n\u003cli\u003eAnalog Trap Expansion \" Presets for Hybrid 3\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AIR","offers":[{"title":"Default Title","offer_id":44665580224754,"sku":"AIR-INSEXPPAC3-1113","price":134.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/img-5_2.webp?v=1722467663"},{"product_id":"air-jura","title":"AIR Jura","description":"\u003cp\u003e\u003c\/p\u003e\u003cdiv class=\"media-youtube-video media-element file-default media-youtube-1\"\u003e\n  \u003ciframe class=\"media-youtube-player\" width=\"640\" height=\"390\" title=\"Introducing AIR: Jura The Synth Of 82\" src=\"https:\/\/www.youtube.com\/embed\/K8lbbhzvM28?wmode=opaque\u0026amp;controls=\u0026amp;rel=0\" name=\"Introducing AIR: Jura The Synth Of 82\" frameborder=\"0\" allowfullscreen\u003eVideo of Introducing AIR: Jura The Synth Of 82\u003c\/iframe\u003e\n\u003c\/div\u003e\n\n\u003cp\u003eIn 1982 something magical happened in the world of synths, a Japanese legend was born. It was one of the synths that defined the sound of the 1980s and was used on countless hits by artists such as The Eurythmics, Cyndi Lauper, and Aha. Now it-s loved more than ever and used on hits by acts like Charlie Puth, Tame Impala, and the Weeknd.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSweet Dreams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow AIR brings you something very special, the authentic sound of that 80s synth, meticulously recreated. But that-s just the start, AIR wanted to build on the legend and make it fit for modern music production workflows.So for those with qualified AKAI MPC\/FORCE standalone versions, you get complete touch control of every parameter. You can really get your hands on this vintage classic and craft your future hits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTake On Me\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOf course you get all the analogue goodness of the original, our team are audio wizards and they have meticulously crafted the sound. It has the single DCO, a monster sub oscillator, the unparalleled VCF, and if you want it, lashings of THAT chorus!\u003cbr\u003eAIR has offered two workflows; the original front panel design, plus an extended, modern UI that gives you even more ways to tweak the sound.\u003c\/p\u003e\n\u003cp\u003eThere-s some audio extras under the hood. The VCF includes saturation and drive and there-s also two DCO noise types; modern and vintage. There-s a second envelope, not found on the original, to help you further craft the perfect sound.\u003c\/p\u003e\n\u003cp\u003eIn addition to the chorus, there-s a powerful delay, reverb, and EQ circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTime After Time\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn short, Jura gives you the best of both worlds - the classic sound of an -80s synth monster, coupled with some very cool modern workflow enhancements. Jura comes in several versions; a plugin for AU, VST, and AAX DAWs, and there-s the MPC\/FORCE Standalone versions for the complete hardware experience of touch control.\u003c\/p\u003e\n\u003cp\u003eJura is the classic synth for a modern music production studio. The sound of yesterday, the features of tomorrow. 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Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings\"an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. The Voice Mode for each part can be set to polyphonic or monophonic. Polyphonic parts can have up to 64 voices; monophonic parts offer First, Last, Highest, or Lowest priority making it easy to designate a bass, lead, or solo instrument.\u003c\/p\u003e\n\u003cp\u003eUsing everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches. Creating your own is easy, too. Parts can be quickly browsed and are conveniently sorted into 29 categories, offering a simple path to find just what you're looking for.\u003c\/p\u003e\n\u003cp\u003eThere are very few truly unique instrumental sounds in the world of music. Sounds so distinct, so compelling, so immediately identifiable and genuine that you just have to have it. Nothing else will do. \"Close\" won't do. \"Almost\" won't cut it. \"Approximately\" will instantly brand you as a shallow imposter.\u003c\/p\u003e\n\u003cp\u003eOne of these really great, unmistakable instrumental sounds is the tonewheel organ, such as the classic Hammond B3. The Hammond B3 was used by many great rock, soul and jazz artists in the 1960's to 1980's. Unforgettable musicians like Stevie Winwood, Jon Lord of Deep Purple, Jimmy Smith and Richard \"Groove\" Holmes.\u003c\/p\u003e\n\u003cp\u003eGreat music, great sound, created on an absolutely great instrument. That's what you want. And that's what DB-33 Tonewheel Organ gives you.\u003c\/p\u003e\n\u003cp\u003eVacuum Classic is a monophonic vintage synthesizer featuring Vacuum Tube Synthesis with vacuum tube circuit modeling that perfectly captures the crunchy, warm sound of the analog era. With analog oscillators, multiple filters and envelopes and built-in audio effects.\u003c\/p\u003e\n\u003cp\u003eVacuum lets you dive deep into subtractive synthesis to recreate those sought-after analog sounds from the 70s and 80s. Tweak the switches, knobs and dials to program anything from basses, leads, pads or unique sound effects. Vacuum gives you two Vacuum Tube Oscillators. A nice touch with the four available wave shapes is that rather than just picking one, Vacuum lets you 'morph' between them. The output of the oscillators goes through a mixer, where you can apply drive\/distortion and ring modulation, before being passed through high- and lowpass filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIR","offers":[{"title":"Default Title","offer_id":44665580617970,"sku":"AIR-LEGPAC-1116","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/air_legends_pack.webp?v=1722553223"},{"product_id":"air-loom-ii","title":"AIR Loom II","description":"\u003cp\u003e\u003cstrong\u003eExplore Additive Synthesis\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLoom II\u003c\/strong\u003e is a major upgrade to the original, pushing the boundaries of additive synthesis. Loom II is ideal for all skill levels. Whether you're starting out and just experimenting in this space or you're a bonafide expert, the instrument grows with you.\u003c\/p\u003e\n\u003cp\u003eLoom II is an award-winning modular additive synthesizer with a shape-shifting Morph Pad that makes it easy to create rich, swirling and captivating sounds. The original Loom was considered a triumph of its time when it was launched. Now, Loom II builds on this with unique and powerful new features as requested by our loyal users.\u003c\/p\u003e\n\u003cp\u003eLoom II takes a unique modular approach to additive synthesis, a synthesis technique that involves combining simple waveforms together to create complex sounds, by enabling anyone to select from and combine 34 editable modules. Create anything from wobbles, organs, ethereal pads, ambient soundscapes and so much more. 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Each of the 34 editable modules performs a specific sonic task\"Octaver, Second Tone, Moving Filter, Noise, Linear Lowpass, Modulator, etc. The Loom II framework provides a series of cells, where up to 10 of these modules can interact combine to generate an additive synthesis patch. Each module includes task-specific parameters for detailed, individual control of the patch. 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For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTransitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects. When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other \" and that was before hitting \"record\".\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eA 3-for-All\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eFeaturing the most powerful and musical virtual synthesis available, The Riser can be used to create classic transitions or effects never-before-heard by human ears. The core of The Riser's mojo are three continuously variable oscillators; sweep, noise and chord. Each oscillator features a dedicated Filter send and graphical parameter depiction. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSweep \" featuring volume, frequency and oscillator shape \" dictates the direction and progression of the transition. Create rises, falls, stops, and swells with audible and visible feedback.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eProviding volume, shape, and pitch controls, the Noise oscillator infuses texture into your transition. Start shaping to add grit, bite, hiss, punch, and more to the effect.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe Riser's Chord oscillator introduces you to an uncharted creative continent. Use it to match The Riser's sonic structure to your song's key (or a contrasting one) and blend it to taste; it can be as musical as you want.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThree Low Frequency Oscillators (LFOs) provide additional modulation to your transition. A tempo-sync\"d LFO works in harmony with the native song tempo in your DAW to increase the transition's complexity. The second LFO is free-running, meaning it has not ties to the native tempo. 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