Bitwig Studio Includes Upgrade to Version 5

Now includes Spectral Suite!

By working in the frequency domain, these devices split your audio into hundreds of frequency bands for analysis, and group similar elements together onto channels. From there, you mix the channels as you normally would - adjust the volume, move the panning, or insert a plug-in.

Each device gives access to a different element of the sound...

Transient Split divides percussive transients and tonal sounds. Only stuttering the drum hits in a full loop might be nice. Or separating instruments from percussion means mixing the way you want to.

Loud Split separates the quiet, mid, and loud elements within a sound. Cranking up the softest parts of a sound will instantly transform it. Or let a thin section of the sound ring out without breaking the mix.

Harmonic Split spreads harmonics into two groups, and collects non-harmonics into a third channel. We could isolate the fundamental frequency and give everything else some distance. Or maybe distorting the even harmonics and adding chorus to the odds is the new cool thing?...

Freq Split distributes a sound across four channels, like a set of filter banks. With random delay times and panning on each channel, we've got a spectral delay. Or use Bitwig's modulators to shuffle thru a different effect on each channel for a new kind of phaser.

Outer Spectra - A New Sound Package
Spectral Suite is accompanied by Outer Spectra, a sound package with 72 presets and 76 clips, all showcasing the four spectral devices in a multitude of musical and mix-related contexts.

When searching for new sounds, do you focus on the processors? Or is it the generators that make the difference? Bitwig Studio 4 is here, bringing space and tone, with a convolution device for real and imagined spaces, a new delay that loves the spotlight, and some downright electric components for our synths.

New Convolution Device
Our new device, Convolution, can take any sound anywhere - even places that don't exist. All convolutions imprint sound with an "impulse," and ours comes ready-made with 270 of them, ranging from 12th-century cathedrals and legendary studio effects to more abstract "environments." Using the impulse of a room or hall creates a realistic reverb, but Bitwig's Convolution and content offers so much more.

You can easily adjust color and tone, or draw your own envelope to reshape the impulse itself. Plus, since we support "true stereo" (four-channel) files as well as loading any audio as an impulse, you can drag and drop anything onto Convolution and see what impossible space you land in.

Delay+
Delay+ is Bitwig's latest boutique audio effect. By balancing familiar controls along with a few thoughtful new ones, Delay+ can either add a little character or fully transform your sound as it ping-pongs along.
Set the delay in seconds or beats, then nudge each channel a few milliseconds for instant stereo. Pick from five Blur options to go from a lightly animated feedback to a full, blown-out reverb. A Ducking control keeps things under control by quieting your delay cloud when strong signals arrive.

Bitwig's nested structure allows you to drop our Pitch Shifter, or Flanger+, or any VST plug-in into the feedback loop. So whether you just need a little slapback or a colorful wash of sound, Delay+ has you covered.

Polymer Overhaul and New The Grid modules
Polymer and The Grid use the same modules, so when something new comes along, everybody wins. For Bitwig 4, some analog-inspired goodies have arrived.

Two modules are new. Union is an oscillator that plays it straight, blending three waveshapes into one pleasant, drifting output. And for filtering, Low-pass MG honors Mr. Moog by imitating both his classic filter and mix buss.

But plenty of other features have also arrived. The Low-pass SK filter is now Sallen-Key, with 16 modes on tap. Our Comb filter gained a Damping control for a touch of finesse. ADSR and two other envelopes now have added modes for Digital precision, or Analog simplicity and feel. Plus all filters get a Q Limit to rein in their resonance, and all oscillators have more phase mod range for more brittle, digital sounds. So whether starting a sound in Polymer or growing a world in The Grid, new sounds are at hand.

And Some More
As always, a few more new features came along for the ride.

• FX tracks now have sends of their own. And yes, direct feedback routings are available - and clearly labeled. (Achtung!)
• ADSR module with added "bias" out port for a bipolar signal that centers around sustain.
• Comments can be freely added to tracks, layers, Arranger cue markers, and Launcher scenes - in any language.
• Linux installers are now Flatpak files, and Bitwig Studio is supporting PipeWire, a new audio system available on Linux.