{"title":"Audio Plugins","description":"","products":[{"product_id":"waves-magma-tube-channel-strip","title":"Waves Magma Tube Channel Strip","description":"\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KOmtprUa6JU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“Whatever you run through it, it just sounds BETTER.”\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSculpt your tracks with the rich, textured analog tube Magma sound—now available in a full channel strip covering your most crucial mixing needs: compression\/gating, EQ and saturation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Magma Channel is modeled on the detailed circuit behavior of carefully selected vintage valve tube hardware, using the same Waves True Valve Modeling technology that was utilized to create the massively successful BB Tubes plugin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow you can shape your complete tone and dynamics quickly, with the authentic, warm, classic tube sound that defines the Waves Magma family of plugins.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMagma Channel is built for speed: just a few no-nonsense knobs for drive\/saturation, EQ lows, mids, and highs, compression and expansion\/gating—each knob carefully designed to hit a sweet spot no matter where you turn it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Magma Tube Channel Strip is perfect for any vocal, instrument, or bus. As Grammy-winning mix engineer Jacquire King says, “Whatever you run through it, it just sounds better!”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdd depth and dimension to flat digital tracks, with maximum warmth and clarity. Give silky top end and super-fat bottom to any vocal or instrument. Glue your overall mix together with Magma’s combination of warm drive and compression. Magma Channel is also a great vibe plugin for smashing drums, shaping guitars and synths, getting a classic bass tone, or sculpting lofi loops.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMagma Channel includes three channel strip modules:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput drive\/saturation: Going from subtle saturation to full-on harmonic distortion, with a warm, in-your-face, soft clipping sound that jumps out of the speakers.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e3-Band musical EQ: Magma’s streamlined EQ section allows quick tone shaping—don’t worry about numbers, just trust your ears. The EQ section includes High and Low shelves, plus a Mid wide bell knob with sweepable frequency control.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDynamics: The single-knob compressor goes from gentle glue to full aggressive pump. Turn SMASH on for extra explosiveness, with a higher compression ratio and quick attack and release. The expander\/gate will help you get a tighter sound with greater focus and clarity.Magma Channel comes with hundreds of artist presets by dozens of top producers, mixing and mastering engineers, including Jacquire King, Greg Wells, Joe Chiccarelli, Lu Diaz, Neal H Pogue, Richard Chycki, ‘Pooch’ Van Druten, Matt Schaeffer, Jeff Ellis, and dozens more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith Magma, you can stay focused on your creative vision and nail your sound quickly, with beautiful analog texture and tone on any track.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe rich analog Magma sound, in a full-on channel strip\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTube-based dynamics, EQ, and saturation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGlue your mix together with tube compression and drive\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdd creamy tube saturation, from subtle to fully distorted\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdd silky top end and super-fat bottom with a musical 3-band EQ\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControl dynamics with subtle to aggressive tube compression\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGet tighter, cleaner dynamics with Magma’s gate\/expander\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e+450 artist presets by Jacquire King, Greg Wells, Lu Diaz, more\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Waves","offers":[{"title":"Default Title","offer_id":44355827794162,"sku":"WAVE-MAGTUBCHASTR-1022","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/magma-tube-channel-strip_png.webp?v=1722466858"},{"product_id":"acon-digital-acoustica-premium-72","title":"Acon Digital Acoustica Premium Edition","description":"\u003cdiv class=\"xch-product__long-description\"\u003e\n\u003cp class=\"xch-paragraph\"\u003eAcoustica is our solution for audio editing, post-production, podcast creation, mastering and audio restoration – with no compromises when it comes to audio quality and workflow. You can easily set up the flexible user interface according to your needs. Meters and real-time analyzers can be docked to the main window along with other pane windows such as label and regions marker lists, the processing chain or the media file browser.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eARA2 and Host Integration\u003c\/strong\u003e - The Acoustica ARA2 plug-in included with the Standard and Premium Editions offers the complete functionality of Acoustica’s clip editor and can be seamlessly integrated into digital audio workstations (DAWs) with ARA2 support. The ARA standard removes the hassle of transferring clips back and forth between the host application and Acoustica, and DAW sessions are kept up-to-date automatically. A Transfer plug-in in the AAX format offers a quick and easy way to transfer audio clips for processing from Pro Tools to Acoustica – and back again.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eCutting Edge Tools based on Deep Learning\u003c\/strong\u003e - Both the Standard and Premium Editions include the Remix tool based on deep learning. Remix can split a complete mix in up to five stems, and you can adjust the stem levels independently in real-time. You can also import a complete mix into a multitrack session and let Acoustica create separate tracks for each stem automatically.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eIn addition to Extract:Dialogue 2 that comes bundled with the Premium Edition, we have trained deep learning models to specifically target common issues in dialogue post-production. These plug-ins are available exclusively with Acoustica Premium Edition. DeWind:Dialogue reduces wind noise whereas DeRustle:Dialogue reduces clothing rustle and microphone bump noise from lavalier recordings. DeBuzz:Dialogue targets buzz and hum noises such as neon light buzz, AC power hum, RF transmission interference. As beautiful as bird songs may be, they can be a major disturbance when recording in the field. The new DeBird reduces bird noise effectively and automatically. Voice-over artists will enjoy the DeClick:Dialogue and DePlosive:Dialogue tools that help reducing pesky mouth clicks, lip smacks and plosives.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eUltimate Audio Quality\u003c\/strong\u003e - Acoustica offers support for state-of-the-art audio resolutions up to 32 bit and sampling rates up to 384 kHz, ensuring that all of your work comes across at the highest quality. Acoustica Premium Edition even supports multi-channel audio recording and editing such as 5.1 surround or 7.1.2 Dolby Atmos.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eSpectral Editing\u003c\/strong\u003e - Dive into the world of impeccable audio restoration with Acoustica's state-of-the-art Spectral Editing Mode. Achieve unparalleled precision by targeting specific regions in both time and frequency. Whether you're using the intuitive brush, freehand, or magic wand selection tools, you'll have the power to isolate and perfect any segment with ease. With the innovative retouch tool, you can effortlessly remove unwanted noise, drawing on freely selectable references from the surrounding audio for a seamless finish.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eProcessing Tools, Chains and Plug-ins\u003c\/strong\u003e - High quality processing tools ranging from a new suite of dynamic processing tools to EQ and effects like reverb and chorus are integrated along with sample rate conversion, time stretching and pitch shifting. You can create chains of audio processors and apply or store them for later use. A powerful batch processor is included and VST, VST3 and AU (Mac only) plug-ins are supported.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eAudio Restoration\u003c\/strong\u003e - Integrated audio restoration tools help you get the most out of recordings impaired by background noise, clicks, crackle, clipping or missing high frequency content. The Premium Edition includes the plug-ins from our Restoration Suite and Extract:Dialogue.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eMultitrack Editing\u003c\/strong\u003e - Mix audio from different tracks in real-time, insert audio effects or create cross-fades easily in multitrack sessions. You can loop or time stretch clips directly from the multitrack timeline and automate volume, pan and send levels.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eAnalysis Tools\u003c\/strong\u003e - Analysis tools such as spectrum, spectrogram and wavelet analysis are available. Real-time analyzers visualize your audio output (EBU R-128 loudness, level, spectral and phase correlation).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eMix \u0026amp; Mastering Suite, our suite of transparent mastering tools consisting of Equalize 2, Dynamics, Multiband Dynamics, Limit and Dither\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEqualize, our parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eVerberate , our renowned natural sounding reverb plug-in.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRestoration Suite, our suite of four plug-ins for audio restoration: DeNoise 2, DeHum 2, DeClick 2 and DeClip 2.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExtract:Dialogue 2, our acclaimed tool for dialogue noise reduction that reduces background noise based on deep learning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp class=\"xch-product__notes\"\u003e \u003c\/p\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558116594,"sku":"ACON-DIGACOPRE7-1027","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/acoustica_premium_5360d2fa51.webp?v=1763174037"},{"product_id":"acon-digital-defilter","title":"Acon Digital DeFilter","description":"\u003cp class=\"xch-paragraph\"\u003e\u003cstrong\u003eDeFilter\u003c\/strong\u003e is an efficient tool to even out tonal imbalances in a recording or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eGreat care has been taken to provide a user interface that is straightforward to use. Frequency dependent correction levels can be defined using custom curves, so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum.\u003c\/p\u003e\n\u003cp class=\"xch-paragraph\"\u003eAcon Digital DeFilter is available as VST, VST3 or AAX for both Windows and Mac or as AU plug-ins for Mac. There are 32 and 64 bit versions for Windows. The Mac version is 64 bit and runs natively on both ARM (such as Apple M1) and Intel processors.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAutomatically estimates correction filter that evens out the frequency spectrum\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRemoves resonances and comb filter effects\u003c\/li\u003e\n\u003cli class=\"li1\"\u003ePredefined target profiles include music, speech and an automatic mode that extracts timbre from the input signal\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eCorrection filters can be saved and used as a reference for matched equalization\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAdjustable length of the correction filter from 1 to 20 milliseconds\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558247666,"sku":"ACON-DIGDEF-1030","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/DeFilteren_0.webp?v=1722466872"},{"product_id":"acon-digital-deverberate-3","title":"Acon Digital DeVerberate 3","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"media-youtube-video media-element file-default media-youtube-2\"\u003e\u003ciframe class=\"media-youtube-player\" width=\"640\" height=\"390\" title=\"Introduction to DeVerberate 3\" src=\"https:\/\/www.youtube.com\/embed\/HWKcuEA32cI?wmode=opaque\u0026amp;controls=\u0026amp;rel=0\" name=\"Introduction to DeVerberate 3\"\u003eVideo of Introduction to DeVerberate 3\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe new DeVerberate 3 - now based on Deep Learning\u003c\/strong\u003e\u003cbr\u003eDeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The new version includes an entirely new algorithm based on deep learning for fully automatic reverb reduction of recorded dialogue. By training a neural network on thousands of high-quality voice recordings and a wide variety of acoustical surroundings, the artificial intelligence can automatically separate dialogue from reverb.\u003c\/p\u003e\n\u003cp\u003eThe reverb reduction algorithm from version 2 is included for music and other audio sources. Both algorithms split the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. Additionally, a unique Early Reflections Filter that works in conjunction with the reverb suppression algorithms is included. The Early Reflections Filter uses sophisticated statistical methods to estimate the so called impulse response of the early reflections, which is then used to cancel out the effect of the early reflections.\u003c\/p\u003e\n\u003cp\u003eAcon Digital DeVerberate 3 is available as VST, VST3 or AAX for both Windows and Mac or as AU plug-ins for Mac. There are 32 and 64 bit versions for Windows. The Mac version is 64 bit and runs natively on both ARM (such as Apple M1) and Intel processors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully automatic dialogue reverb reduction based on deep learning\u003c\/li\u003e\n\u003cli\u003eManual mode for music and other signal types with adjustments of the original reverberation-s level and decay times\u003c\/li\u003e\n\u003cli\u003eSeparate adjustments of the direct sound and the reverberation levels\u003c\/li\u003e\n\u003cli\u003eEarly reflections filter\u003c\/li\u003e\n\u003cli\u003eFrequency spectrum representation of the of the following signals:\u003c\/li\u003e\n\u003cli\u003eInput signal\u003c\/li\u003e\n\u003cli\u003eOutput signal\u003c\/li\u003e\n\u003cli\u003eEstimated reverberation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558280434,"sku":"ACON-DIGDEV3-1031","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/deverberate3-en.webp?v=1722553039"},{"product_id":"acon-digital-deverberate-3-upgrade","title":"Acon Digital DeVerberate 3 Upgrade","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"media-youtube-video media-element file-default media-youtube-1\"\u003e\u003ciframe class=\"media-youtube-player\" width=\"640\" height=\"390\" title=\"Introduction to DeVerberate 3\" src=\"https:\/\/www.youtube.com\/embed\/HWKcuEA32cI?wmode=opaque\u0026amp;controls=\u0026amp;rel=0\" name=\"Introduction to DeVerberate 3\"\u003eVideo of Introduction to DeVerberate 3\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe new DeVerberate 3 - now based on Deep Learning\u003c\/strong\u003e\u003cbr\u003eDeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The new version includes an entirely new algorithm based on deep learning for fully automatic reverb reduction of recorded dialogue. By training a neural network on thousands of high-quality voice recordings and a wide variety of acoustical surroundings, the artificial intelligence can automatically separate dialogue from reverb.\u003c\/p\u003e\n\u003cp\u003eThe reverb reduction algorithm from version 2 is included for music and other audio sources. Both algorithms split the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. Additionally, a unique Early Reflections Filter that works in conjunction with the reverb suppression algorithms is included. The Early Reflections Filter uses sophisticated statistical methods to estimate the so called impulse response of the early reflections, which is then used to cancel out the effect of the early reflections.\u003c\/p\u003e\n\u003cp\u003eAcon Digital DeVerberate 3 is available as VST, VST3 or AAX for both Windows and Mac or as AU plug-ins for Mac. There are 32 and 64 bit versions for Windows. The Mac version is 64 bit and runs natively on both ARM (such as Apple M1) and Intel processors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully automatic dialogue reverb reduction based on deep learning\u003c\/li\u003e\n\u003cli\u003eManual mode for music and other signal types with adjustments of the original reverberation-s level and decay times\u003c\/li\u003e\n\u003cli\u003eSeparate adjustments of the direct sound and the reverberation levels\u003c\/li\u003e\n\u003cli\u003eEarly reflections filter\u003c\/li\u003e\n\u003cli\u003eFrequency spectrum representation of the of the following signals:\u003c\/li\u003e\n\u003cli\u003eInput signal\u003c\/li\u003e\n\u003cli\u003eOutput signal\u003c\/li\u003e\n\u003cli\u003eEstimated reverberation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558313202,"sku":"ACON-DIGDEV3UPG-1032","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/deverberate3-en_1a9550a6-fb4f-4326-8035-7e6bdecce28a.webp?v=1722553043"},{"product_id":"acon-digital-equalize","title":"Acon Digital Equalize 2","description":"\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lhJOxrbPqlw?si=Vc1V2zy3IcfPHGVH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUnlock the power of precise sound shaping with Acon Digital Equalize—a parametric equalizer plug-in designed to elevate your audio to perfection. With an intuitive interface and groundbreaking features, Equalize puts unmatched control at your fingertips. Unlike standard equalizers, it allows you to tweak not just center frequency, gain, and bandwidth, but also the filter slope for each band, ranging from a gentle 3 dB to an ultra-sharp 120 dB per octave.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBut Equalize doesn’t stop there. It offers three versatile phase modes: zero-latency minimum phase, phase-preserving linear phase, and the revolutionary mixed phase mode. The mixed phase mode lets you freely adjust latency from 5 to 120 milliseconds, giving you unparalleled control over pre-ringing artifacts—a common challenge in linear phase filtering. With latency below 20 milliseconds, pre-ringing is masked by the natural temporal hearing process, ensuring perfect time-alignment across the frequency range.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAcon Digital Equalize isn’t just an EQ—it’s an audio revolution. Let your creativity soar with the precision and flexibility your sound deserves.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eEight different band filter types — low cut, low shelf, peak, tilt, bandpass, notch, high shelf and high cut\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eUp to twelve independent bands\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFreely adjustable gain, frequency, bandwidth, resonance and filter slope\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThree different phase modes, including the novel mixed phase mode with adjustable latency\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eChoose channel mode for each band independently (mid, side, left, right or full processing)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558345970,"sku":"ACON-DIGEQU2-1033","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/Equalize_b7e63d516c_e4affe34df_2.webp?v=1763173889"},{"product_id":"acon-digital-restoration-suite","title":"Acon Digital Restoration Suite 2","description":"\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0-7iUkfcf8s?si=Q-8rfmDeHuRsxytA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDiscover our \u003cstrong\u003eRestoration Suite\u003c\/strong\u003e, a game-changing collection of four advanced audio restoration plugins designed to breathe new life into your recordings! Whether you're dealing with hiss, wind noise, hum, buzz, clicks, or other unwanted noise, this suite has you covered. With DeNoise, DeHum, DeClick, and DeClip, you can effortlessly remove noise and distortions, preserving the integrity of your original audio. The intuitive interface and powerful algorithms make it easy to achieve professional-quality results, even if you're not an audio expert. The plug-ins are available as VST, VST3 or AAX for both Windows and Mac or as AU plug-ins for Mac. There are 32 and 64 bit versions for Windows. The Mac version is 64 bit and runs natively on both ARM (such as Apple M1) and Intel processors.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eDeNoise is a plug-in designed to reduce noise such as hiss, wind noise, buzz and camera noise.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDeClick is designed to remove impulsive noise such as clicks, crackle and thumps. These distortions are frequently encountered on LP and 78 RPM records, but also occur in digital recordings due to drop-outs or distorted data packets.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eWhether you're dealing with distorted recordings, clipped audio, or peak overloads, DeClip 2 offers unparalleled restoration quality\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558411506,"sku":"ACON-DIGRESSUI2-1035","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/restoration_suite_e4ecc0c40a_05e2bee96b.webp?v=1763173902"},{"product_id":"acon-digital-verberate","title":"Acon Digital Verberate 2","description":"\u003cp class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NDk9twNCdqk?si=Cwhq5SZ7rl40blOd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReverb isn’t just an effect—it’s the soul of your sound. Verberate takes this to heart, delivering algorithmic reverb that authentically recreates real acoustic environments with unmatched realism. The original Verberate set a new standard for sound quality, and now, Version 2 elevates the experience even further.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVerberate\u003c\/b\u003e has the groundbreaking Vivid Hall algorithm at its core, which introduces time variance to eliminate the mechanical feel often found in convolution-based reverbs. The result? Lush, natural-sounding reverb tails that maintain the clarity and density you loved in the original. With Verberate 2, your soundscape is more alive than ever.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReal acoustical surroundings will have slight variations due to air currents, moving performers or movements in the audience. While these variations may seem subtle, the effect towards the end of the reverb tail is significant, since the sound is reflected a large number of times before the reverb tail fades out. The new Vivid Hall algorithm models these random variations without artifacts like chorus effects or pitch changes, and is therefore capable of simulating reverberation of real halls with a higher degree of realism.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAnother new feature is the ability to better simulate mechanical plate reverbs. High frequencies travel faster in metal plates than low frequencies, and this effect is called frequency dispersion. Verberate 2 now has a Dispersion parameter which allows for highly realistic plate reverb simulations when combined with the decay editor to simulate the longer high frequency decay of plate reverbs. A new Swirl parameter makes it possible to simulate the feedback modulation effect found in many vintage digital reverb units.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 15 early reflection patterns offered are algorithmic, calculated in real time and applied using convolution. A dense and resonance free late reverb tail follows the early reflections, resulting in extremely convincing room simulations with impressive depth combined with the flexibility algorithmic reverbs are known for. A large catalog of beautiful factory presets is delivered with Verberate 2 and a clear and to-the-point graphical user interface simplifies the search for a specific reverb quality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eTwo different late reverb algorithms: The new Vivid Hall and the Legacy Hall from version 1\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eVivid Hall is time variant and resonance free\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eIndependent early reflections and reverberation tail processors\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrue stereo processing\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRealistic early reflections that blend into the mix without unpleasant comb filter effects\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDense late reverberation tails\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAble to model frequency dispersion in mechanical plate reverbs\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOptional swirl effect models the frequency modulated cloud-like reverb tails of vintage digital reverb units\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558444274,"sku":"ACON-DIGVER2-1036","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/verberate_fe8f03527d_a621ca1109_1.webp?v=1763433109"},{"product_id":"acon-digital-verberate-immersive-2","title":"Acon Digital Verberate Immersive 2","description":"\u003cp class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xqQtsZNpaac?si=Yqmfu8RhETKGpFZO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eImmersive Room Reverb That Sounds Real\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVerberate Immersive 2 is a professional algorithmic reverb plugin built for Dolby Atmos, spatial audio, and multichannel formats up to 9.1.6. Its time-variant design produces rich, natural reverb tails that feel like part of the space—not layered on top.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhether you’re mixing film dialogue, immersive music, or game audio, Verberate Immersive 2 gives you a believable sense of depth and place. No metallic tails. No phasey weirdness. Just clean, organic reverb that sits naturally in the mix.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDesigned for Modern Immersive Workflows\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVerberate Immersive 2 was built for immersive audio from the start, with independent control of early reflections and reverb tails, plus full 3D panning for all components. It fits perfectly into large-scale Atmos music production, Foley editing, and film post-production sessions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYou can position the dry signal, reflections, and tail separately within the surround field, shaping each with visual panners, divergence controls, and full support for immersive formats like 7.1.4, 9.1.6, and everything in between.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCPU-Efficient and Session-Ready\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReverb plugins designed for immersive audio often carry a heavy CPU load, especially those using convolution. Verberate Immersive 2 avoids that entirely. Its algorithmic engine delivers high-fidelity room modelling at a fraction of the processing cost—ideal for large sessions with hundreds of channels and multiple reverb instances.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt’s also built for speed. Preset switching is instantaneous. You can audition different spaces mid-playback without a break in sound. No loading times. No workflow interruptions. Just smooth creative flow from start to finish. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eRealism, Detail, and Control \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eVivid Hall algorithm: resonance-free, time-variant reverb tails\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eLegacy Hall mode for a denser, classic algorithmic sound\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSeparate early reflections and tail processors\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFrequency dispersion modelling for mechanical plate-style effects\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOptional swirl modulation for vintage-style tails\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eParametric decay editor to shape reverb time by frequency\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBuilt-in 5-band EQ on input and output\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSupport for sample rates up to 192 kHz\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAvailable in VST, AU, AAX formats on both macOS (Intel and Apple Silicon) and Windows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMade For Professional Surround Mixes\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVerberate Immersive 2 is used by professionals in music and post because it lets them move quickly, sound great, and keep their systems responsive. Whether you’re placing ADR in a virtual room, expanding a lead vocal in a 7.1.4 Atmos session, or building cinematic transitions with rich reverb tails, this is a tool you can trust to deliver immersive results without compromises.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eWho's it for?\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eFilm and TV mixers working in Dolby Atmos or surround\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eMusic producers building immersive tracks\u003c\/li\u003e\n\u003cli class=\"li1\"\u003ePost engineers handling dialogue, ADR, and Foley\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGame sound designers crafting believable environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSeamless EUCON Integration for Serious Workflows\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVerberate Immersive 2 supports EUCON, giving you tight, tactile control on Avid control surfaces like the S6, S4, S3, and Dock. Its parameters are smartly mapped by default, so you can adjust reverb times, position elements in 3D space, and shape EQ and decay right from your surface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis isn’t just about convenience, it’s about helping professionals to work faster in demanding post and music sessions where grabbing physical faders and encoders makes all the difference.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFeatures \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003ePlatforms and Plug-in Formats\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAvailable as VST or AAX plug-ins on PC (Windows)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAvailable as VST, AAX or AU plug-ins on Apple Macintosh (macOS)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNative 32 bit or 64 bit versions of all plug-ins are available\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSupports sampling rates up to 96 kHz\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSupports all common speaker layouts up to 7.1.6\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAcon Digital Verberate Immersive 2\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTwo different late reverb algorithms: The new Vivid Hall and the Legacy Hall from version 1\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eVivid Hall is time variant and resonance free\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eIndependent early reflections and reverberation tail processors\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eIntegrated panners for direct signal, reverb and early reflections\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRealistic early reflections that blend into the mix without unpleasant comb filter effects\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDense late reverberation tails\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAble to model frequency dispersion in mechanical plate reverbs\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOptional swirl effect models the frequency modulated cloud-like reverb tails of vintage digital reverb units\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eUncluttered user interface\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGraphical visualization of equalizer frequency response and frequency dependent reverberation times\u003c\/li\u003e\n\u003cli class=\"li1\"\u003ePreset manager and a large number of factory presets\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSave, load and categorize user presets\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":44661558477042,"sku":"ACON-DIGVERIMM2-1037","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/verberate_immersive_2_3_surround_reverb_plugin_UI_2_878a7cec20.webp?v=1763435881"},{"product_id":"acousticsamples-sunbird","title":"Acousticsamples Sunbird","description":"The HummingBird guitar was created in 1960 by Gibson and was the first square-shouldered dreadnought. It was designed to be extremely versatile so that it can cover many music genres and have a deep tone without being too powerful, which is perfect to accompany a voice.\nThis is exactly in this spirit that we sampled it, together with our powerful strum, pattern and song engine, the Sunbird library is the perfect tool to create accompaniments.\nWe recorded it with a pair of DPA microphones to get a detailed stereo perspective, with a U87 to capture the Bass and a precise mono perspective and using a contact pickup in case you want to put the library through an amp simulation plugin.\nWe sampled it very deeply, all frets of all strings with upstrokes, downstrokes, round robins, releases, staccatos, mutes, palm mutes, hand blocks, slides, hammer ons, pull offs, retriggers, fretnoises, percussions other articulations. All of these details allow us to reproduce the real playing of a guitar player, and easily.\nThere are basically 4 modes (that you can choose using keyswitches, G5 to C6), the solo mode that allows to play melodies, the chord mode that helps playing strums or picking very easily, the patterns mode that does all of the strumming or picking for you and the MIDI mode that allows you to use your preffered midi guitar controler.\n \n\u003cb\u003eStrumming Machine\u003c\/b\u003e\nThe Sunbird can strum, in various ways, up, down, muted, in legato and allows finger picking. Everything is modeled after meticulously analyzing thousands of real chords played by guitarist. Every aspect of the strumming engine can be tweaked to achieve the sound you want.\n \nThe chord recognition engine helps converting any chord you play on your keyboard to a real guitar voicing. Recognizing a chord is made through a database of thousands of standard chords, and you can edit every chord or even add new ones.\n \nThe chord hammers feature lets you play left hand hammer ons and pull offs while strumming or picking.\n \n\u003cb\u003eRealistic Patterns\u003c\/b\u003e\nThe patterns mode is very similar to the chord mode, the chord recognition engine works the same way, but this time the triggers are not simple strums anymore, they are a set of patterns that you can loop, adapt to the tempo or the metrics, change the velocity in real time using a controller, synch to your host, add groove to.\n \nYou can choose from a large selection of patterns or create your using the pattern maker and assign them to each trigger to create a full song in a few clicks.\n \n\u003cb\u003ePattern Maker\u003c\/b\u003e\nCreating realistic guitar patterns has never been easier. You can create strumming, picking, or finger picking patterns in seconds and even make them of an infinite size.\n \nWe even made the sharing of these patterns easy, just save them and send them to other users, the database can only grow!\n \n\u003cb\u003eSong Builder\u003c\/b\u003e\nThe song builder panel is the feature that will let you compose songs extremely quickly. Sometimes playing a series of chords can be complicated, especially if you are not an advanced keyboardist. The song builder allows you to decide which chord will be triggered when selecting only one note. For example pressing only the C will be recognized as a C Major. You can repeat the operation for the whole 12 notes of the octave and this way construct your songs and play them easily.\n \nWe included a selection of presets to give song ideas, chord progressions, modes or chord types.\n \nCombine this with the patterns and pressing two keys at the same time is enough to play a song.\n \n\u003cb\u003eSolo mode, automatic hand position\u003c\/b\u003e\nThe solo mode is very simple, and is suited to play melodies. It uses a smart hand position system that decides for you where a real guitarist would put his hand and which string he would play. A piano only has one middle C for example, but a guitar offers a few different options and our script will decide it for you. You can of course deactivate it and use only the first hand position if you want.\n \nThe Sunbird features our powerful legato engine that will automatically trigger legato, hammer ons, pull offs, or slides and the legato distance will define the maximum interval in which the legato will apply.\n \nYou also have access to key switches to play palm mutes, harmonics (flageolets) or even percussion sounds and control the legato engine.\n \n\u003cb\u003ePreferences\/Microphone mixing\u003c\/b\u003e\nThe Sunbird library comes with 3 microphones perspectives, a stereo pair of DPA and you can adjust the volume of each of them.\nEvery aspect of the library can be tweaked, the release, fret and pre-notes volumes, as well as the midi response of your keyboard.\n \nA three band EQ and a reverb module can be adjusted from the preferences panel, and you can enable and load\/unload the pickup or the microphones.\n \n\u003cb\u003eMIDI guitar\u003c\/b\u003e\nIf you own a MIDI guitar and want to expand its sound capabilities, then the MIDI mode is for you, all you need to do is select the 7 different MIDI chanels your guitar outputs and you are ready to play.\n \n8.16Gb uncompressed, 1.53Gb compressed in lossless flac format, around 13300 samples.\nStrumming engine (features chord recognition and a smart strumming technique to produce guitar-like chords) and complete control of all its parameters.\n67 realistic patterns for easy strumming, picking and advanced playing styles.\nIntegrated song builder to create songs within minutes and very easily\nIntegrated pattern builder to automatically strum your chords\nLegato script to play natural hammer ons, pull offs and slides.\nNatural hand placement simulation.\n39 different samples per fret and all 21 fret sampled for each string.\nMulti velocity Hammer on, pull off, slides up, slides down, mutes, ghost notes, pre notes.\nIncluded sparkVerb©.\nControl over the two microphones perspectives and pickup volumes.\nAdvanced bend control.\nAdvanced UVI scripting giving you access to a simple yet powerfull interface and advanced features.","brand":"Acousticsamples","offers":[{"title":"Default Title","offer_id":44661561622770,"sku":"ACOU-SUN-1072","price":104.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0641\/3202\/2514\/files\/sunbirdscreen1_0.webp?v=1722467237"},{"product_id":"acousticsamples-vhorns-brass-section","title":"Acousticsamples VHorns Brass Section","description":"\u003cp\u003eWe have been planning a horns project for awhile, (our first recordings were back in 2012) but many things prevented us from doing it until now - namely the fact that we wanted to avoid the need for too many keyswitches, in favor of being able to just control the air flow.\u003cbr\u003e \u003cbr\u003eThanks to our recent work on a hybrid technology blending samples and modeling, we were able to overcome both of these problems and take advantage of having the best of both worlds: impeccable authentic sounding horns with a simple, powerful way of playing them.\u003cbr\u003e \u003cbr\u003eThis new technology is called HAT (Harmonic Alignment Technology); it allows us to accurately reproduce the timbre evolution from very soft to very loud playing.\u003cbr\u003e \u003cbr\u003eWe found a way to combine both technologies by using samples as the sound source, while the rest utilises modeling techniques. This allows V Horns to weigh just around 90Mb per instrument (retina graphics and presets included), to truly sound like a real live Horn instrument being recorded with all of its imperfections, as well as having fully continuous response with incredible playability.\u003cbr\u003e \u003cbr\u003eAnd we are confident in saying that to our ears, and hopefully yours too, VHorns is the most realistic and easy-to-use VST available today. Here are a few performances from real musicians and what we recreated using VHorns (and used for our demos).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe VHorns Brass Section interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrumpets\u003c\/li\u003e\n\u003cli\u003eTrombones\u003c\/li\u003e\n\u003cli\u003eFlugelhorns\u003c\/li\u003e\n\u003cli\u003eMix\u003c\/li\u003e\n\u003cli\u003eVirtual Space\u003c\/li\u003e\n\u003cli\u003ePreferences\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e6-Instrument Bundle\u003c\/strong\u003e\u003cbr\u003eThe VHorns Brass Section contains 6 instruments: 2 trumpets, 2 trombones and 2 flugelhorns.\u003cbr\u003eEach of them has a distinct tone and was recorded by a different player.\u003cbr\u003eYou can also purchase them separately\u003cbr\u003eTrumpets - Trombones - Flugelhorns\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe HAT - Air Flow Control\u003c\/strong\u003e\u003cbr\u003eThanks to our proprietary HAT (Harmonic Alignment Technology), VHorns is not just another heavily multisampled instrument - you can play articulations yourself like a player would, with just a MIDI controller (or by drawing in automation)! There are no complicated keyswitches involved to play staccatos or anything else, it's just a matter of playing it that way. \u003cbr\u003eAll you need to do is play a note and adjust the air flow, that's it! You can even automate vibrato if you want.\u003cbr\u003eAir flow is controlled by the middle knob on the front interface.\u003cbr\u003eWhen set to 0, there will be no sound coming out of VHorns, same as if you didn't blow any air into a trumpet.\u003cbr\u003eYou can of course control this value with different CCs. We set it to the modulation wheel by default because it's available on almost every digital keyboard, but you can use anything else you like, for example CC2, which is the default for most breath controllers.\u003cbr\u003eAll you need to do is click on the small dot next to the CC number and move a knob or value on your controller.\u003cbr\u003eAs we mentioned above, vibrato can be controlled with the air flow as well. When you move the air controller up and down, it will start adding some pitch variation to the sound. To enable\/disable it, go into the PREFS panel and change the \"allow vibrato with air flow\" value.\u003cbr\u003eIn some rare cases and when using MIDI files imported from softwares like Sibelius, you only get velocities, so at the bottom of the CC list, we added the possibility to control the air flow with the incoming velocity, just select \"VEL\".\u003cbr\u003eAlso if for some reason, you want to use the pitch bend as the input CC, you can do so by choosing \"P. BEND\" from the list.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthentic Vibrato\u003c\/strong\u003e\u003cbr\u003eWe carefully measured the different parameters that change when a player uses vibrato and combined everything into a highly realistic and adjustable vibrato for VHorns.\u003cbr\u003eThere are multiple ways to control the vibrato: automatic, automatic depending on time, and completely manually.\u003cbr\u003eVibrato is controlled with the left knob on the front panel.\u003cbr\u003eRight below the knob, there is a small menu with 3 options:\u003cbr\u003e1- Auto: this enables automatic vibrato and the knob will control how much vibrato is added to the sound.\u003cbr\u003e2- Auto time: This is similar to Auto mode, but a time envelope will control the amount of vibrato. You can edit this envelope in the preferences by clicking on \"edit auto vib\". This opens a small panel that displays a table and lets you control its duration.\u003cbr\u003e3- Manual: This is for advanced use and conrol over vibrato. In reality, a trumpet player changes the shape or position of their mouth on the mouthpiece to change the pitch up and down. In this mode, the neutral position (with no pitch change) is the middle value of the knob and a value of 0.5 (and CC at value 64). Values below 0.5 will result into a pitch down and values above 0.5 will result into a pitch up. This is very useful for creating vibrato that doesn't have a fixed speed.\u003cbr\u003eAs mentioned above, there is a fourth way to create vibrato only with the air flow control. The \"allow vibrato with air flow\" setting has to be set to yes in the preferences and you then need to perform a fast up and down variation in the air flow controller you choose.\u003cbr\u003eIn the preferences, you have access to a few things to control vibrato (this affects all 4 modes).\u003cbr\u003e1- There is a small knob that controls the overall amount of vibrato. This can be set to some very high values that will sound very unnatural to some, but that is necessary for using some dedicated wind controllers that have a narrow CC range.\u003cbr\u003e2- You can change the amount of volume modulation: vibrato isn't just a change in pitch, it's also timbre and volume changes; you can control how much of this you want.\u003cbr\u003e3- You can change the amount of pitch modulation as well.\u003cbr\u003eSome controllers like the EWI use the pitch bend as the vibrato source, so we added the P. Bend option to the bottom of the CC list in case you want to use it for the vibrato and not bends.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegato Transitions\u003c\/strong\u003e\u003cbr\u003eA large part of what horn players play are legatos, so we spent a considerale amount of time and effort to carefully extract every little aspect, pitch changes, noises, etc. and make ours indistinguishable from a real performance.\u003cbr\u003eThey go from fast note changes to slow bends, with and without extra attack. We covered all that and let you choose how to control them.\u003cbr\u003eThe legatos behavior can be adjusted and even randomized for more life-like performances\u003cbr\u003eWhen you play a legato on the keyboard (when you overlap two notes), our engine will automatically kill the older note and play a legato instead of a normal sustain.\u003cbr\u003eThis is exactly what happens on a real trumpet when the air flow is continuous while the player changes the note. There are a number of ways to play these legatos and we gave you access to everything so that it can be controlled in real time.\u003cbr\u003e1- Velocity to attack \/ sustains : This controls how new sustains notes are played, for example if the air flow is at a CC value of 75 and you play a note at velocity 20, our engine will ramp the air flow from 20 to 75 and thus create a quick volume raise. If on the contrary the velocity is above the air flow value, it will create a quick attack. The duration of this ramp is controlled by the velocity to attack time value.\u003cbr\u003e2-  Velocity to attack \/ legatos : This controls how legato notes are played, for example if the air flow is at a CC value of 75 and you play a legato note at velocity 20, our engine will ramp the air flow from 20 to 75 and thus create a quick volume raise. If on the contrary the velocity is above the air flow value, it will create a quick attack. The duration of this ramp is controlled by the velocity to attack time value.\u003cbr\u003eGlides are often played on brass insruments, and we of course allow you to use glides, as well as choose how to can trigger them.\u003cbr\u003e1- Mode: velocity. In this mode, any velocity below the threshold value will trigger a glide and its duration will depend on how low the velocity is. For example if the velocity is at 20, it will be a fast glide (comparable to a legato time), but a velocity of 1 will trigger a slow glide at the duration of the max length value you set.\u003cbr\u003e2- Mode: CC. In this mode, you can control the glide duration with a MIDI CC, again it will go from the Max length value when the CC is at value 1 to standard short legatos when the CC is set to value 120 and above.\u003cbr\u003e3- Mode: Manual. In this mode, the glide value is fixed and the glide speed can go from 50ms to 500ms. We added a randomize time value to give it a natural feel, just remember that when increasing the randomize value, the engine can technically receive a value below 50ms in which case it will play a slow legato. This setting works quite well with the trombones.\u003cbr\u003e4- In addition to these, you can glide using the pitch bend and the max pitch bend value will determine the bend range. The quality of that bend will greatly depend on the \"use advanced pitch bend value\". Just remember that using the advanced pitch bend will use more CPU even when you don't play bends.\u003cbr\u003eWhen a brass player plays a note, legato or new note, if they are very precise, they will directly land on the correct pitch and create a very precise attack, but it is often also \"missed\" on purpose and a quick flutter attack then happens. You can use the Transition flutter value to control how much of this you want. If you want to, you can right click on this slider (just like for any other slider) and control it with a MIDI CC or a host automation.\u003cbr\u003eAnother very important aspect of legatos is what happens during the transition. On a trombone, there are no valves, so the transition is just air change. On valve instruments, however, there is something called half valve which happens while the valve is being pressed. This effect can be noticed on two occasions: while playing gliding legatos or when using the pitch bend. You can control how much of that effect you want for each situation.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eMulti Microphone Recording\u003c\/strong\u003e\u003cbr\u003eRecording a horn can be done in various ways and at different positions. We used 4 different microphone positions so that you can get the exact sound you want, as if you chose the microphone placement yourself.\u003cbr\u003eThis can yield even better results when using the \"virtual space\" which is detailed below.\u003cbr\u003eYou can apply reverb and EQ to completely mix it to your liking.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIX Tab\u003c\/strong\u003e\u003cbr\u003eWe recorded each of our instruments with 4 different microphones at 4 different positions to capture their unique sounds. And you can mix them however you like. At the top you can also change the routing, as we will explain below; we created the Virtual Space that places the instrument in a virtual environment which is technically a virtual room mic pair that you can move around. Here, you can choose if you want the source for the virtual space to be just the close mic or a mix of the 4.\u003cbr\u003eWe also added a 3 band EQ, which you can also decide if this will be applied to the source sound for the virtual space.\u003cbr\u003eYou can also mix the result of the 4 microphones and the virtual mics. We added a pan and delay for each to deal with phase problems that always occur when multiple microphones are involved.\u003cbr\u003eYou can also add impulse response reverb to the whole mix, control its decay and how much is sent from the close microphones and from the virtual space. The amount on the mix panel is the same as on the front interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Space\u003c\/strong\u003e\u003cbr\u003eThe virtual space perfectly reproduces what a real recording of an ensemble would be using convolution. When you record a big band, you usually place a pair of microphones in front of the musicians and they naturally take position in the stereo field depending on where they are in the room.\u003cbr\u003eThe Virtual Space does exactly the same thing: you can place the musician wherever you like.\u003cbr\u003eWhen using this with multiple tracks, you immediately have the feeling of being in front of a real horns section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Space tab\u003c\/strong\u003e\u003cbr\u003eJust using panning to place elements in the stereo field does not sound realistc as so much information is left out, so we recreated a whole room placement simulation based on impluse responses where you can set the position of the instrument in the actual room.\u003cbr\u003eSince setting up an ensemble recording can be done in many different ways, regarding both musician placement and microphone pair selection, we decided to include as many possibilities as we could.\u003cbr\u003eYou have access to 21 positions divided into 3 rows and you can select which microphone configuration you want to use (ORTF, AB, XY, Binaural and MS), as well as control the stereo width for a narrow or wide section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMutes\u003c\/strong\u003e\u003cbr\u003eMutes are part of the sound that defines horns. We recreated these using a variety of mutes and a specific experimentation process.\u003cbr\u003eIf you want to use a Harmon, a plunger, a straight mute, a cup or a bucket, VHorns has you covered!\u003cbr\u003eJust select which one you want from the main interface and start playing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Editing\u003c\/strong\u003e\u003cbr\u003eThere are many ways to play a brass insrument, and we had to make a choice on the default settings, however many of the options can be customized to your taste.\u003cbr\u003eEven better, most settings can be randomized for natural and unpredictable results.\u003cbr\u003eWe already detailed many features above, but here are the few that are left. Note that all of the features in the preference tab that have a small die next to them can be randomized for an even more natural performance. Randomize means that the value for that setting will be randomized for each new note between the minimum value and the value you set.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePitch section:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e1- The max glide interval controls the maximum interval that you are able to create a continuous glide for. On a trombone for example, the maximum possible glide you can do is from position 7 to position 1, so 6 semitones. We allow for more than 6, but to play something natural, it's better to lower that value as technically most players will glide a maximum of 3 or 4 semitones and \"cheat\" the rest. Above that value, our engine will \"cheat\" as well and skip some notes while still ending up on the target note.\u003cbr\u003e2- The note pitch imprecision is just what it says, it will play slighly out of tune and completely random between 0 and the value you set. 100% will randomize +-1 semitone.\u003cbr\u003e3- The attack pitch variation is a bit different, it is technically a bend ramp that is often present in real performances. You can control how much bend you want and the attack pitch variaton time will decide how quick that ramp is.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral section:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e1- The growl\/flutter value conrols how much growl\/flutter effect is added to the sound. Just like for the rest, you can assign a MIDI controller to control it in real time.\u003cbr\u003e2- The natural variation air and pitch values control that very quick and imperceptible variation that even the best brass players can't avoid when they play. Since the air flow is never always perfectly constant, the timbre and pitch vary all the time and you can control how much of each you want. By default, it is set to 100% which is representative of a very good player with the least variation possible and you can go above that to make the playing more natural.\u003cbr\u003e3- The valve noises let you control how much valve noise you want\u003cbr\u003e4- The tongue noises lets you control the volume of the small noise produced by the tongue as it blocks the air flow when a note is stopped. \u003cbr\u003e5- The round robin menu let's you control if you want no round robin, a 3x round robin alternating on adjacent notes all the time or a smart round robin alternating only in fast passages.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMIDI section\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e1- Pitch: You can pitch the whole insrument up or down up to +-12semitones. This affects the tone of the instruments and can be useful to cover other instruments that have a different range. Pitching the flugelhorn down can make it sound similar to a trombone for example.\u003cbr\u003e2- TRANSPOSE: This is just a MIDI transpose, so for example, a value of 2 semitones will play a D instead of a C. If you use the pitch and transpose at the same tome but opposite values, you will keep the correct note and only change the timbre and range.\u003cbr\u003e3- The Ensemble will be detailed in the ensemble section below.\u003cbr\u003e4- The type of controller you use can induce a few internal changes. The EWI for example requires some tweaks to play legatos when it should as it does not overlap MIDI notes by default. Here, you need to select the type of controller you use from that list.\u003cbr\u003e5- Next to the controller selection, there is a small knob that controls the reactivity of the controller. On some keyboards for example, the mod wheel can be non continuous and have small gaps that lead to some very unnatural variations. To fix that, just increase that knob value and it will go away. If you use a breath or wind controller, though, make sure this value is set to 0 - otherwise it will be hard to get very sharp attacks. Selecting the right controller will take care of this value change for you.\u003cbr\u003e6- You can change the position on the keyboard of the few keyswitches we use. Here is what they do:\u003cbr\u003eC#1 will create a fall from any note you are playing.\u003cbr\u003eD1 will create a pitch fall from any note you are playing.\u003cbr\u003eD#1 will create a rise from any note you are playing.\u003cbr\u003eE1 will repeat the note you were previously playing, this is known as a \"static tonguing\"\u003cbr\u003eF1 will create a half valve bent half a semitone down.\u003cbr\u003eF#1 will create a half valve bent half a semitone up.\u003cbr\u003eG1 will create a half valve effect with no pitch change and its velocity will control how much half valve effect is added to the currently playing note.\u003cbr\u003eF1 will create a half valve bent half a semitone down. We already detailed many features above, but here are the few ones that are left. Note that all of the features in the preference tab that have a small dice next to them can be randomized for an even more natural performance. Randomize mean that the value for that setting will be randomized for each new note between the minimum value and the value you set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboard, Breath Controller or Wind Controller\u003c\/strong\u003e\u003cbr\u003eVHorns can be played using a keyboard by selecting the notes on the keyboard and controlling the air flow with a MIDI controller like the modulation wheel or a breath controller.\u003cbr\u003eYou can also use a wind controller like an EWI, an Aerophone a Sylphyo or any other brand, in which case you need to use the appropriate controller menu in the MIDI section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnsemble\u003c\/strong\u003e\u003cbr\u003eIf you load multiple instruments at the same time, it will play unisons exactly at the same time.\u003cbr\u003eWe added some smart features that first can change the timbre of the instruments, transpose everything by a fixed interval and also act on the MIDI performance.\u003cbr\u003eFor example, you can have all 6 instruments with a different transposition value play the same C minor scale, so no matter what you play on the keyboard, it will sound in key.\u003cbr\u003ePlaying ensembles with VHorns is easy, as you can see in the overview video. You can adjust a few things in the MIDI tab.\u003cbr\u003e1- The Transpose values can be changed to get the desired interval change.\u003cbr\u003e2- You can then select a scale and root on which the instrument will be forced to play, no matter what you play on your keyboard. If you select C Major, then whatever you play on your keyboard will stay in C Major even when using the transpose value.\u003cbr\u003e3- The timing value will create a randomized time delay each time a new note is played, this way when you play a note on the keyboard, not all instruments will start at the same exact time just like a section of musicians would do in real life, no matter how good they are.\u003cbr\u003eThere are a few things to add if you really want to make the prformance convincing. 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