Unlike Harp 1, Harp 2 is played by Julia Reth and features an even larger number of single notes in various playing styles, such as damped, fingernail playing, “Près-de-la-table”, pedal glissandos and bisbigliandos – those whispering tender tremolos played on two strings of the same pitch that create a lovely ethereal effect. Harp 2 is the ideal complement to Harp 1, reflecting the use of two harps in orchestral music since the mid 19th century.
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